2010 “Patterns and Process: Some Thoughts on the Incised Stones from the Gault Site, Central Texas, United States”, IFRAO Congress, September 2010 – Symposium: Pleistocene art of the Americas.
Showing posts with label Clovis. Show all posts
Showing posts with label Clovis. Show all posts
Saturday, September 3, 2016
THE OLDEST ART IN AMERICA - CLOVIS ART? - THE GAULT, TEXAS ENGRAVINGS REVISITED:
Engraved limestone cobble, Clovis,
ca. 13,000 years old. From Tamara
Stewart, Paleo-Indian Art Identified
At Central Texas Site, p. 10, American
Archaeology, Summer, 2016,
Volume 20, Number 2.
On June 25,
2011, I posted a column titled "The Oldest Art In America - Clovis Art? -
The Gault, Texas, Engravings". That column was a report on a 2010 publication
by D. Clark Wernecke and
Michael B. Collins, “Patterns
and Process: Some Thoughts on the Incised Stones from the Gault Site, Central
Texas, United States”, and was illustrated with a line drawing
I had done from a photogaph by Michael B. Collins, co-author of the original IFRAO Congress, September 2010 –
Symposium: Pleistocene art of the Americas story that I was reporting on. Now another report on
incised limestone cobbles from the Gault site in Texas has enlarged the subject
considerably.
Writing in
the summer 2016 issue of American
Archaeology, Vol. 20, No. 2, p. 10, author Tamara Stewart's column
Paleo-Indian Art Identified At Central Texas Site, presented Wernecke and
Collins' recent findings from the Gault site. They now have "numerous small, weathered limestone
cobbles with elaborate engravings, nine of which are clearly associated with
Clovis technology dating to about 13,000 years ago." (Stewart 2016:10)
Nine
purposefully incised limestone cobbles "clearly associated with Clovis
technology dating to about 13,000 years ago". This gives us
13,000-year-old rock art in North America, and another strong candidate for the
oldest rock art in North America.
Engraved stone, Clovis, Gault, TX.
Drawing by Peter Faris (2011)after a
photograph by Michael Collins.
Note: I
reported on the previous hard date for the oldest rock art in North America on
Jan. 25, 2014, in "Pyramid Lake Petroglyphs May Be Oldest In North America",
on http://rockartblog.blogspot.com .
REFERENCES:
Faris,
Peter
2011 The
Oldest Art In America - Clovis Art? - The Gault, Texas, Engravings, http://rockartblog.blogspot.com, June
25, 2011.
2014 Pyramid Lake Petroglyphs May Be Oldest In
North America, http://rockartblog.blogspot.com,
January 25, 2014.
Stewart,
Tamara
2016 Paleo-Indian Art Identified At Central Texas
Site, p. 10, American Archaeology, Summer,
2016, Volume 20, Number 2.
Wernecke, D. Clark, and
Michael B. Collins,
2010 “Patterns and Process: Some Thoughts on the Incised Stones from the Gault Site, Central Texas, United States”, IFRAO Congress, September 2010 – Symposium: Pleistocene art of the Americas.
2010 “Patterns and Process: Some Thoughts on the Incised Stones from the Gault Site, Central Texas, United States”, IFRAO Congress, September 2010 – Symposium: Pleistocene art of the Americas.
Labels:
Clovis,
Gault,
oldest petroglyphs,
petroglyph,
rock art,
Texas
Saturday, November 28, 2015
EXTINCT ANIMALS IN ROCK ART - BISON ANTIQUUS:
Bison in South Park, Colorado.
Photograph Peter Faris, 1990.
In the paper cited below the authors (Agenbroad and Hesse 2004) argue that the belief
that Paleo-hunters did not live on the Colorado Plateau because the megafauna
that they depended upon were absent is just a myth. They point to fossil
remains located throughout the area in question, as well as rock art that they
identify as representations of the megafauna in question, as proof that both the animals and the
hunters occupied the Colorado Plateau from 12,000 to 6,000 BP. (Agenbroad and
Hesse 2004:189-195)
and Hesse, 2004, p. 194.
If this is indeed the case, then the rock art that they show
as evidence toward their claims must be illustrations of the extinct megafauna
species (mammoth and bison) that existed during that period. We thus have
numerous examples of rock art portraying the extinct species Bison antiquus. The actual existence of
rock art illustrating mammoths is somewhat more problematical although opinions
in the field are not as closed against it as before.
"Twenty-seven
radiocarbon dates are available for bison localities. These dates range from
more than 40,000 to 355 B.P. (the former date is the approximate upper limit of
radiocarbon technology). Six dates are from the protohistoric period, three are
from the Archaic period, and 18 are from the late Pleistocene. This information
suggests that bison were more abundant on the Colorado Plateau during the late
Pleistocene than during most of the Holocene." (Agenbroad and Hesse
2004:195)
"Maps of
paleontological locales and artifacts show that megafauna and Paleoindians were
present on the Colorado Plateau. When combined with rock art and a radiocarbon
chronology, they provide convincing evidence to dispel the myth that human
hunters and their major prey species did not live on the plateau from 13,000 to
6,000 B.P. Because of the dearth of preceramic studies in this region, at least
9,000 years of plateau prehistory is not being adequately researched."
(Agenbroad and Hesse 2004:195)
Colorado Plateau. Agenbroad
and Hesse, 2004, p. 192.
"Bison remains,
Folsom and Plano artifacts, and bison rock art are also found on the plateau,
and some areas contain all of these. Although some Folsom and Plano artifacts
are found in areas of the plateau with no recorded paleontological Pleistocene
than in the Holocene. The number of bison remains from Folsom and Plano
(Paleoindian) sites nearly equals the number from late Archaic and
protohistoric sites.
Prehistoric rock art,
especially petroglyphs, also lends credence to the presence of Paleoindian
hunters on the plateau from 12,000 to 6,000 B.P. These people were the
"Pleistocene pioneers." It is unfortunate that their presence has
been denied, overlooked, and unresearched for so long." (Agenbroad and Hesse 2004:195)
Large bison petroglyph overlapping
a mammoth petroglyph, San Juan
river, near Bluff, Utah. Malotki
and Wallace, 2011, p.147
Drawing of the large bison petroglyph
overlapping the mammoth petroglyph,
San Juan river, near Bluff, Utah.
Malotki and Wallace, 2011, p.147.
The illustration (Fig. 16.8) as well as the map of locations of bison and mammoth rock art (Fig. 16.6) both include an example from the San Juan river near Bluff, Utah. Malotki and Wallace have identified this as the figure of a Columbian mammoth with the overlapping image of a large bison.(Malotki and Wallace 2011:147) This would pretty much have to represent Bison antiquus, or one of his cousins.
The Clovis culture is a prehistoric Paleoindian culture, named after distinct stone tools found at Clovis, New Mexico, in the 1920s and 1930s. The Clovis culture appeared around 13,200 - 12,900 years before present, at the end of the last glacial period. Clovis is characterized by the manufacture of Clovis points and distinctive bone and ivory tools. Clovis peoples are considered to be the ancestors of most of the indigenous cultures of the Americas. (Wikipedia)
In the Great Plains of the United States the following peoples ranging from 10,000 to 7,000 B.P. are designated as Plano, distinguished by long, lanceolate, projectile points; Agate Basin complex, named for the Agate Basin site; Cody Complex, named for the Horner site near Cody, Wyoming, and including the Olsen-Chubbuck Bison Kill site and the Jurgens site; Hell Gap complex named for the Hell Gap, Wyoming site and the Jones-Miller Bison Kill site; and the Foothills/Mountain complex. (Wikipedia)
In the Great Plains of the United States the following peoples ranging from 10,000 to 7,000 B.P. are designated as Plano, distinguished by long, lanceolate, projectile points; Agate Basin complex, named for the Agate Basin site; Cody Complex, named for the Horner site near Cody, Wyoming, and including the Olsen-Chubbuck Bison Kill site and the Jurgens site; Hell Gap complex named for the Hell Gap, Wyoming site and the Jones-Miller Bison Kill site; and the Foothills/Mountain complex. (Wikipedia)
The Folsom Complex dates to between 9000 B.C., and
8000 B.C., and is thought to have derived from the earlier Clovis culture. (Wikipedia)
Fremont (ca. AD 100 to 1300)
bison from 9-Mile Canyon,
Utah. Photograph by P. Heiple.
Until we can adequately
date the bison images in question we will not be 100% certain, but logic
suggests that some of the images portrayed do, in fact, represent the extinct
species Bison antiquus, and, assuming that Agenbroad and Hesse are correct in
their claims, then we also have examples of rock art from the Clovis, Plano,
and Folsom peoples. The only real problem would seemingly be to discriminate it from the later examples.
REFERENCES:
Agenbroad, Larry D., and India S. Hesse,
2004 Megafauna,
Paleoindians, Petroglyphs, and Pictographs of the Colorado Plateau, pages
189-195, in The Settlement of the
American Continent: A Multidisciplinary Approach to Human Biogeography,
edited by C. Michael Barton, Geoffrey A. Clark, David R. Yesner, and Georges A.
Pearson, University of Arizona Press, Tucson.
Malotki, Ekkehart, and Henry D. Wallace
2011 Columbian Mammoth Petroglyphs From The San Juan River Near Bluff, Utah, United States, pp. 143-152, in Rock Art Research 2011 - Volume 28, Number 2.
Wikipedia
Labels:
Agenbroad,
Bison antiquus,
Clovis,
Colorado Plateau,
extinct animals,
Folsom,
petroglyph,
Plano,
rock art
Saturday, June 25, 2011
THE OLDEST ART IN AMERICA - CLOVIS ART? – THE GAULT, TEXAS, ENGRAVINGS:
Engraved stone, Clovis, Gault, TX.
Drawing by Peter Faris after a
photograph by Michael Collins.
I have written previously on some candidates for the earliest art in North America. These were the Vero Beach, Florida, engraved bone and the Cooper, Oklahoma, painted bison skull. The Cooper painted skull has been dated to the Fremont period and the Vero Beach engraving is problematical at best.
Purposefully made markings on stone from the Clovis culture have been recovered from deposits at Gault, Texas. A number of limestone plaques or flakes have been modified or decorated with lines scratched into them. Interpretations of the lines range from maps of surrounding drainages to illustrations of plants. A number of these engraved stones have been recovered from with identifiable artifacts from a Clovis context dating to approximately 13,500 years ago.
The example illustrated was recovered in proximity to a Clovis point made from “Alibates flint”. It shows engraved lines on both sides. D. Clark Wernecke and Michael Collins examined over 100 other stones from this location with purposeful markings on them as well which they date from 13,500 B.P. to 9,000 B.P. and reported on this to the September 2010 IFRAO Congress Symposium: Pleistocene art of the Americas. Their description of this example is that it “is limestone and has a design, on both sides, that incorporates parallel lines meeting with lines terminating in diamonds. It may represent plants or, as often found in iconography elsewhere, fletched darts.”
Wernecke and Collins also reported that some artifacts and stones found at Blackwater Draw, the type site for Clovis, had incised lines on them.
This suggests that Clovis period engraved stones must be considered as strong candidates at this time for the oldest art in North America.
Reference:
WERNECKE, D. Clark and Michael B. COLLINS
2010, “Patterns and Process: Some Thoughts on the Incised Stones from the
Gault Site, Central Texas, United States”, IFRAO Congress, September 2010 – Symposium: Pleistocene art of the Americas.
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