Showing posts with label CRAP Award. Show all posts
Showing posts with label CRAP Award. Show all posts

Saturday, December 30, 2023

2023 C.R.A.P. AWARD – NEVADA SHOE PRINTS MADE MILLIONS OF YEARS AGO ACCORDING TO CREATIONISTS:

2023 C.R.A.P. (Certifiable Rock Art Prevarication) Award goes to "Creation Science."

Alleged shoe print from Nevada. Image from howandwhys.com.

The 2023 C.R.A.P. Award goes not to the people cited in the references below, but to the idea that they are pushing back against – supposed shoe tracks in Arizona that have been claimed to be many millions of years old by Creationists. Let me restate that, I am not criticizing the reports, I am criticizing the crazy ideas of fringie Creationists. These discoveries were supposedly made in the 1920s in Pershing County, Nevada. Reports are somewhat fuzzy since they state that the discoveries were found in a coal seam in Fisher Canyon yet the quote from the supposed discoverer states he found it on a hillside. I am going to visit reports on two different versions of the discovery. One individual who remains anonymous created a phony photograph of the footprint and put it up online – to him as an individual I award a special C.R.A.P. Award.

Creationists, the people who argue that human beings and dinosaurs co-existed, leap on misinterpretations and frauds such as this to try to prove their strange beliefs which they now often call ‘Creation Science.’

"Creation science rejects evolution and the common descent of all living things on Earth. Instead, it asserts that the field of evolutionarey biology is itself pseudoscientific or even a religion. Creationists argue instead for a system call baraminology, which considers the living world to be descended from uniquely created kinds or 'baramins.' Creation science incorporates the concept of catastrophism to reconcile current landforms and fossil distributions with Biblical interpretations, proposint the remains resulted from successive cataclysmic events, such as a worldwide flood and subsequent ice age. It rejects one of the fundamentral principles of modern geology (and of modern science generally), uniformitarianism, which applies the same physical and geological observed on the Earth today to interpret the Earth's geological history." (Wikipedia) They believe that early humans co-existed with dinosaurs - sort of like Alley Oop. So this quoted passage describes the fringies who believe in these things - now the the actual belief on shoeprints in Arizona many millions of years old, which is anything but science.

Another view of the alleged shoe print from Nevada. Image from anomalien.com.

A 2006 report by Glen Kuban describes in detail the supposed discovery and provides an analysis of the claim. “A number of strict creationists and "ancient anomaly" enthusiasts have claimed that a "shoe print" was found in Triassic rock near Fisher Canyon, Pershing County, Nevada. Although most of these authors state that the print was found by John Reid in 1922 (or 1927 according to some), evidently it was actually found by Albert E. Knapp, an employee of Nevada Mining Company, on or before January 15th, 1917.” (Kuban 2006)

In 2021 Vicky Verma quoted the discoverer of the supposed footprint: “He wrote: ‘In descending the hill my attention was attracted by the fossil, which lay fossil side uppermost amongst some loose rocks. I picked it upl and put it in my pocket for further examination, and on such examination came to the conclusion that it is a layer from the heel of a show which had been pulled from the balance of the heel by suction; the rock being in a plastic state at the time. I found it in limestone of the Triassic period, a belt of which runs through that section of the hills.’ Later, Reid somehow took the fossilized shoeprint to New York and had it analyzed by a competent geologist of the Rockefeller Foundation, who verified Mr. Knapp and pronounced it unquestionably Triassic limestone.” (Verma 2021) Now we have to remember that this was 100 years ago, a time when the public was less informed about science. I am, however, mystified as to how a so-called geologist could have made such a misidentification.

Drawing of alleged shoe print with the missing portion filled in. Image from Verma, 2020.

“In 1922, two reports on the alleged shoeprint were published in the New York Times and the American Weekly section of the New York Sunday American respectively. According to the second report by W. H. Ballou, John T. Reid discovered the fossil (which was obviously a mistake). The report said: ‘Some time ago, while he was prospecting for fossils in Nevada, John T. Reid, a distinguished mining engineer, and geologist stopped suddenly and looked down in utter bewilderment and amazement at a rock near his feet. For there, a part of the rock itself was what seemed to be a human footprint! Closer inspection showed that it was not a mark of a naked foot, but was, apparently, a shoe sole which had been turned into stone. The forepart was missing. But there was the outline of at least two-thirds of it, and around this outline ran a well-defined sewn thread which had, it appeared, attached the welt to the sole. Further on was another line of sewing, and in the center, where the foot would have rested had the object really been a show sole, there was an indentation, exactly such as would have been made by the bone of the heel rubbing upon and wearing down the material of which the sole had been made. Thus was found a fossil which is the foremost mystery of science today. For the rock in which it was found is at least 5 million years old.” (Verma 2021)  

Kuban is quite straightforward with his long and fair analysis and then his discounting of the claims. “The "Nevada shoe print" claims are not well supported by the available evidence. The footprint advocates have presumed that the missing portion of the object was very shoe-like in shape, whereas any number of other shapes are possible. They have not demonstrated that the supposed print was ever part of a striding sequence, or that it contains the detailed "stitching" features they assert. The present location of the object is unknown, impeding further study. Judging from the available photographs, the specimen is most likely a broken ironstone concretion, perhaps one that has suffered some erosion.” (Kuban 2006)


Fraudulent image of the Nevada shoe print. Online image, public domain.

Photos of the 1920s ‘fossil’ clearly show a broken and eroded concretion. But the claim resurfaced recently with a much more convincing photograph of a shoe or bootprint in stone. This counterfeit seems to be the product of another Creationist fringie trying to strengthen their case. The more recent image appears to be a photographic manipulation of two negatives, one of a rock surface and the other one of a footprint.  The fact it shows a tread pattern marks it a modern as prehistoric footwear did not have this typed of treads on the bottom of the sole. Online reports claiming the discovery of this second shoeprint seem to parrot the reports of the 1920s discovery but with the illustrations replaced with the newly counterfeited photograph. Of course, nowadays this second image could also have been a computer creation.

Newly created fraudulent shoe print created by DALL-E-2.

On the subject of this new photograph – the counterfeited one – as a test I went to DALL-E-2 and asked it to make a picture of the tread marks of a boot print in the rock of a cliff face. This is my version of the counterfeited photograph. With a little more time and more specific instructions I am confident that DALL-E-2 and I could have made one much like the counterfeit shoe print.

I want to reiterate that this C.R.A.P. Award is not being awarded to the authors of the reports I cite below to whom I am grateful for the information, but to the fringies who believe this sort of thing. Whether it is petroglyphs of dinosaurs or the fossilized imprint of a shoe or boot wearing foot from 15 or 200 million years ago – absurd.

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Kuban, Glen J., 2006, Nevada Shoe Print?, http://paleo.cc/paluxy/nevada.htm. Accessed online 9 December 2023.

Verma, Vicky, 2021, Mystery of Alleged 200 Million-Year-Old Shoe Print Found in Nevada in 1917https://www.howandwhys.com. Accessed online 9 December 2023.

WikipediaCreation Sciencehttps://en.wikipedia.org/wiki/Creation_science. Accessed online 11 December 2023.

Saturday, December 31, 2022

2022 C.R.A.P. AWARD - ANCIENT RUINS ON MARS:

Newly discovered claimed sphinx on Mars. Internet photograph, public domain.

For the highly esteemed and much sought-after C.R.A.P. (Certifiable Rock Art Prevarication) Award for 2022 our judges have selected a whole category of outrageous falsifications, ancient ruins on Mars. While NASA has been releasing photographs from Mars taken by various rovers, a whole coterie of fringies has been studying them in detail and finding statues and ancient ruins. Any search on the internet for ruins on Mars will return dozens of sites announcing this silliness.

Claimed Martian petroglyphs and hieroglyphic tablets. Internet photograph, public domain.

For this award I am not going to specify any individual purveyors of these fringe ideas. I cannot even call them theories as they are just blatant falsehoods. If you dig deep enough down this rabbit hole you can even find a few photographs of rocks on Mars which appear to have petroglyphs on them - more proof of the ancient Martian civilization.

Claimed face of a statue on Mars. Internet photograph, public domain.

Now I do not know whether some of these are examples of paredolia, in which an enthusiastic viewer is deceived by his or her own brain, but many of these are just so ridiculously outlandish that they have to be outright lies.

Claimed ruins of an ancient temple on Mars. Internet photograph, public domain.

"Mars ancient temple found in NASA images is PROOF of alian civilisation." - (misspelled civilization).

Claimed ancient ruined temple on Mars. Internet photograph, public domain.

"Ancient Temple Ruins Found On Mars In Rover Photo."

Claimed statue of an Angel in a Martian temple. Internet photograph, public domain.

"Ancient ruins on Mars: Satellite Images reveal artificial geometric structures."

Fallen statue of an ancient Martian King (artificially colored). Internet photograph, public domain.

"Ancient Ruins Found On Mars Are '100% Proof Of Intelligent Aliens' Says Expert."

An ancient Japanese tomb found on Mars by one diligent observer. Internet photograph, public domain.

"NASA probe captured on Mars the ruins of a huge ancient structure."

And I could go on - - .

Many of these wild claims are accompanied by photographs that are so grainy and blurred that you cannot quite make out the subject being claimed. Others are obviously the result of geographic processes like we see on Earth. And, quite a few are Photoshopped phonies.

Among the claims you will find a photograph of a cola can on Mars, a photograph of a glass bottle on Mars, statues, ruined cities, and even a bone, to say nothing of crashed UFOs. In a time rife with conspiracy theories I suppose we should not be surprised at these stories. I would, however, like to point out one discrepancy in the supposed reasoning behind these claims. If the NASA Apollo moon landings were staged in a Hollywood sound studio we do not really have a deep space program, so how in the world did we get photographs from the surface of Mars?


NOTE 1: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them.

NOTE 2: I am going to dispense with listing references for this column. Anyone who wishes to can look up plenty of this garbage online, and I do not wish to honor any particular source by mentioning them in RockArtBlog.

Saturday, January 8, 2022

THE 2021 C.R.A.P. AWARD GOES TO THE DISCOVERER OF HOPI U.F.O.s:

 2021 C.R.A.P. AWARD

Yes, that’s right, the esteemed C.R.A.P. (Certifiable Rock Art Prevarication) award for 2021 goes to Gary A. David for his discovery of Hopi Unidentified Flying Objects (UFOs). David is a self-described “independent researcher of Southwestern archaeological ruins and rock art for twenty-five years. He earned his master’s degree in English literature from the University of Colorado and is a former college professor.  


Paatuwvota (Hopi flying saucer) identified by Gary David, photograph www.ancientcode.com.

Among other esoteric subjects David has found evidence that the Hopi knew of, and pictured in their rock art, Unidentified Flying Objects (UFOs). He talks of Hopi Indian legends about craft called flying shields piloted by kachinas. He also likens some katcina masks to space helmets. (David 2008:1)


Sotuknang katcina. By Lenno Polingyumptewa, Hopi.

Comparing the Hopi flying shields to artifacts from Atlantis or the lost continent of Mu, he ascribes these flying shields, or paatuwvota, to Sotuknang, whom he calls a “sky god.” (David 2008:12) In one of the Hopi myths he bases his theories on, an immense flood destroyed Palatkwapi and all of the people fled. A brother and sister who were left behind set out to find their parents. This brother and sister heard a roaring noise from above. Looking up for the source of this loud noise they saw a being descend from the heavens, clothed in a costume of something that glittered like ice, and who shone like a star from his head and face. Speaking to them he told them not to be afraid and introduced himself as Sotuknang. Sotuknang told the brother and sister that he had come to help them and invited them to climb onto his flying shield. (David 2008)


Hopi Delta-winged flying machine identified by Gary David. Internet photograph, public domain.

David explained that the Hopi called this UFO a flying shield because its shape approximated that of a warrior’s shield, and because the Hopi had no saucers to name it after. Stating that these flying shields appear in more than one myth he also discussed evidence that he found in petroglyphs.  David refers to a petroglyph near Mishongnovi, on Second Mesa, which shows an arrow with a rounded shape on top of it and the head of a maiden representing purity. The arrow supposedly represents the craft traveling through space. David goes on to state that the Hopi believe that other planets are inhabited, and that this petroglyph represents one of these flying craft, a paatuwvota. Supposedly at the end of this world the sacred beings will arrive from Venus on UFOs. These flying saucers are piloted by kachinas and David states that many Hopi traditionalists have seen these flying saucers. (David 2008)


Hopi basket weaver making sooyungyapu. Photograph A. C. Vroman, 1901. Vroman was presumably unaware that these baskets are modeled upon flying saucer.

But not all of these UFOs resemble shields. There is another kind referred to as a tawiya, or gourd, subdivided into two halves. Its rider climbs into the lower half and then closes the upper half, connecting a tightly stretched sinew between the bottom of the gourd and the button of the stem. Then rubbing the sinew between the palms of his hands this contraption then takes to the air and emits a humming noise. David ascribes to the Hopi the belief that this gourd is a magic vehicle and that those who have the power can travel in it like a flying saucer. Another celestial transport mechanism is likened to a spinning tray called a sooyungyapu. This basketry tray has a star design woven into it which David believes is a clue to its origin as another copy of these aerial craft. (David 2008)

In his 2006 book “The Orion Zone” David illustrates another example.  A petroglyph representing a triangular flying craft at Homolovi State Park. This is also identified as a paatuwvota or flying shield. (David 2008:fig. 54)

Finally, David also records a number of UFO sightings by Hopi and others around Arizona to lend credence to his arguments. (David 2014)

For these remarkable discoveries adding not only to our knowledge of rock art but space travel as well, RockArtBlog is proud to announce Gary A. David as the 2021 recipient of our CRAP award.

NOTE 1: The images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

Note 2: David is not the only one who has heard about these Hopi Flying Machines. In chapter one of his 2013 book Donald Yates (see references below) wrote “After the end of Tokpela, World Destroyed by Fire, the people emerged to the Second World called Dark Midnight, but they begin to become preoccupied with materialistic concerns as before. They ignore once again the commandments of the Creator. Sotuknang and Spider Woman seal a select few in the underground world of the Ant People and direct the celestial Twins to leave their posts at the north and south poles. The earth spins around off its axis, rolls over twice and freezes into soled ice. After it warms the earth and seas are revived, Sotuknang brings the remnants of mankind out of the Ant kiva to emerge into the third world, Kuskurza. True to its name, Kuskurza is full of big cities, jewels, copper, tobacco and speeding vessels called patuwvota.  Yates, however, refers to it in the sense of a legend, not the gospel truth, so he does not get to share in the award.

REFERENCES:

David, Gary A., 2014, Hopi “Flying Shields” Over Arizona, https://www.academia.edu/, accessed 22 November 2021

David, Gary A., 2008, The Flying Shields of the Hopi Kachinas, https://www.academia.edu/, accessed 20 November 2021.

David, Gary A., 2006, The Orion Zone, Adventures Unlimited Press, Kempton, Illinois

Yates, Donald N., 2013, Old Souls in a New World: The Secret History of the Cherokee Indians, Panther’s Lodge Publishing, Phoenix.

Saturday, December 26, 2020

2020 C.R.A.P. AWARD - DNA PICTURED ON A COSMIC EGG:


Cosmic egg with DNA carved on it.

I am pleased to announce the coveted 2020 C.R.A.P. (Certifiable Rock Art Prevarication) AWARD. This award is given out once a year by RockArtBlog to the most egregious example of Certifiable Rock Art Prevarication (CRAP). The winner this year goes to a well-known fringie and Atlantis researcher Peter Daughtry for discovering a cosmic egg with a picture of DNA carved on it. Daughtry is touted by Graham Hancock, author of “Magicians of the Gods,” previously commemorated on RockArtBlog for his discovery of an extinct toxodon carved on a monolith at Tiahuanaco, Bolivia, (Faris 2019) which must surely lend to his credibility.

“Found by British researcher and author of ‘Atlantis and the Silver City’ Peter Daughtrey, the intriguing object composed entirely out of stone was found in Algarve, Portugal and is believed to date back over 7,000 years. Its peculiar characteristics - like the design of what seems to be the double helix of DNA - makes this ‘cosmic’ egg one of the most intriguing objects found to date. Interestingly, the double helix model wasn’t found until 1953. The obvious questions we need to ask - if it is in fact the Double helix of DNA - is how sugh a symbol could exist on a stone egg that some say was carved approximately 7,000 years ago.” (Ancient Code) This remarkable discovery was made near the town of Silves in the Algarve region of Portugal.


Now housed at the Lagos Museum in Algarve, Portugal.

“Archaeological finds have shown that the double spiral is an artistic motif routinely found on a variety of ancient artifacts. Sometimes it is represented as two snakes wrapping around each other or a common stalk, like in the case of Herme’s staff, known as a caduceus, meaning herald’s staff. What boggles the mind is the fact that modern science refuses to make the connection between this archaic symbol and the stuff that makes us who we are - DNA.” (ufoholic)

“Daughtry is convinced this is no coincidence or the result of artistic expression falling down on convergent designs. Furthermore, he believes the proximity of Silves to the Straight of Gibraltar and the Pillars of Hercules might warrant a possible connection to Atlantis. In all truthfullness, if there ever was an ancient civilization that possessed the power to peek inside a cell’s nucleus, the Atlanteans would be a safe bet.” (ufoholic)

So what is a cosmic egg anyway? Many religious creation stories from cultures around the world include a creation by hatching from a cosmic egg. “The concept was figuratively re-adapted by modern science in the 1930s and explored by theoreticians during the following two decades. Current cosmological models maintain that 13.8 billion years ago, the entire mass of the universe was compressed into a gravitational singularity, a so-called ‘cosmic egg’ from which it ‘hatched’ - expanded to its current state following the Big Bang.” (Wikipedia)

So now, in order to give full and proper credit to Peter Daughtry’s discovery we need only believe in mystical cosmic eggs, the lost continent of Atlantis, and that 7,000 years ago these Atlanteans knew about the structure of DNA.

Who better to discover a cosmic egg with a picture of human DNA on it than a man who writes books about the lost continent of Atlantis? Aren’t we lucky that it turned out to have human DNA on it when it created the universe. Who knows what we would have turned out to be if it had something else pictured on it?

And for this momentous discovery, RockArtBlog awards Peter Daughtry and his ‘cosmic egg with DNA pictured on it’ the 2020 C.R.A.P. Award - congratulations.

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Ancient Code, Does this 7,000-year-old ‘Cosmic Egg ‘depict the earliest illustration of DNA?, https://ancient-code.com

Faris, Peter, 2019, Extinct Animals in Rock Art - the Tiahuanaco Toxodon, February 16, 2019, https://rockartblog.blogspot.com/search/label/Tiahuanaco.

https://en.wikipedia.org/wiki/Gravitational_singularity

Saturday, December 28, 2019

2019 C.R.A.P. AWARD - THE HOHOKAM WERE MASONIC PHOENICIAN HEBREWS:



Hohokam rock art.
Internet, Public domain.

It is time again for the RockArtBlog coveted annual C. R. A. P. (Certifiable Rock Art Prevarication) award, and boy, do I have a really deserving recipient this year?


Hohokam rock art.
Internet, Public domain.

One of the great rock art traditions of the American southwest was created by the Hohokam people, and to properly try to evaluate, understand, or just admire, their rock art we have to have a fair, accurate, and unbiased picture of their culture.


Hohokam rock art.
Tucson, Arizona.
Internet, Public domain.

Now the Gnostic Warrior website and Cult of Demons podcasts have written articles about how the Hohokam of the American desert southwest and northern Mexico were really Hebrew Phoenicians and members of the Masonic order.


Hohokam carved shell birds.
Internet, Public domain.

These articles declare first that the Hohokam were actually Jewish Phoenicians. "Many people are not aware that the name of the red rock spiritual place in the Southwest of the United States that we know as Sedona, Arizona, was founded by a biblical people we know as the Sidonians from the island of Crete. The Greeks had called them Phoenicians, the Egyptians knew them as the Sea Peoples, and they are also known in the Scripture(s) as the Hebrew people." (Gnosticwarrior 2)


Hohokam carved shell birds.
Internet, Public domain.

So, based on the name of Sedona, Arizona, the conclusion has been drawn that the people who lived there prehistorically were actually Sidonians from the island of Crete. Predictably this is wrong as well. "The Sidonians were the inhabitants of ancient Sidon, a seaport on the Mediterranean Sea in modern Lebanon. Those familiar with the Biblical text will recall that Sidon was an influential, wealthy Phoenician city." (biblicalarchaeology.org)  Sidon was in Lebanon, not on the island of Crete.



Hohokam carved shell
bird pendant and drawing.
Internet, Public domain.

Now that their actual ethnic affiliation with the peoples of the Middle East has been established, Gnosticwarrior goes on to prove their membership in the Order of Freemasons based upon a resemblance he sees between a Hohokam bird pendant carved from shell and found at Casas Grandes and the Masonic symbol of the square and dividers.

"This Indian Masonic compass and square is made of sea shells and dated to over 1,800 years ago. The manufacture of the square and compass using sea shells would indicate they were a people of the sea, just like the Phoenicians whom the Egyptians knew as the Sea Peoples. It is well known that the Freemasons trace their craft back to the chief mason working on Solomon's Temple as Phoenician King, Hiram Abiff, son of a Tyrian widow. Hence, the Widow's son. He was chief architect sent to Solomon by the Phoenician King of Tyre." (Gnosticwarrior1) (Yes, it is truly this confusing. In two sentences back to back Hiram Abiff is the Phoenician King and he is also the architect sent by the Phoenician King - perhaps he sent himself)

In other words, he found a carved shell image that he identified as the Masonic square and dividers and that proves his case. See how simple that was?

The problem lies in the fact that the carved shell pendant in question does not represent the Masonic square and dividers at all - it is a bird. The Hohokam left large numbers of carved shell figures, bracelets, pendants, etc. Among the popular subjects were birds. This image is found attached and within a curved base. Given the prevalence of carved shell bracelets left by the Hohokam this may either be a broken piece of a bracelet carved from shell, or a pendant which was originally surrounded by a circle of shell. I find the latter more likely although I cannot see enough detail in the photos to determine whether or not there are broken surfaces.
Hohokam carved shell
bird pendant, base removed
by computer manipulation.


Masonic square and
dividers symbol.
Internet, public domain.

Its identity as a bird is easily determined by using a simple computer program to remove the arced base leaving the center isolated. The head is obviously a bird, and the other elements can be identified as downward sloping wings, a body, and either spread legs or a spreading tail.

So, when Gnosticwarrior spews his nonsense about Masonic Hebrew Phoenicians he not only contributes to misinformation and ignorance, he insults one of the great early cultures of the American southwest, and for this all, Gnosticwarrior has earned the 2019 Certifiable Rock Art Prevarication award. Perhaps he should change that name to Agnosticwarrior.

We will be doing this again next year - send me your candidates.

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Anonymous,
2017 Biblical Sidon - Jezebel's Hometown, Who Were the Sidonians?, Staff writer,June 19, 2017, https://biblicalarchaeology.org/daily/ancient-near-eastern-world/biblical-sidon-jezebel-hometown/

Gnosticwarrior
1. Undated The American Indians and Phoenician Hebrews: Masonic Square and Compass, https://gnosticwarrior.com/indian-masonic-square-and-compass.html
2. Undated The Phoenician Sidonian Hebrews of Sedona, Arizona, https://gnosticwarrior.com/hebrews-of-sedona-arizona.html



Tuesday, December 17, 2019

2018 C.R.A.P. AWARD - SPACE ALIENS IN ROCK ART: This was last year's award, watch for the 2019 C.R.A.P. award coming soon.






Petroglyphs, Swelter Shelter,
Dinosaur National Monument,
Utah, Photograph Peter Faris,
1984.

I am going to break with my usual practice this year, and instead of giving the 2018 C.R.A.P. (Certifiable Rock Art Prevarication) Award to an individual or organization for egregious falsehood in the field of rock art, I am awarding it this year to a whole sub-category of fringe rock art research - SPACE ALIENS IN ROCK ART. Many years ago I naively assumed that something as silly as that just could not be taken seriously. After a 1984 field trip to Dinosaur National Monument I found out differently when I showed a co-worker the picture  above taken at Swelter Shelter. His instant reaction was "see, that proves that aliens have visited us." He was totally serious and I was smart enough to immediately drop the subject.

Supposed UFO pictograph,
Charama, Chhattisgarh, India.
timesofindia.org, Public Domain.

The amount of material devoted to so-called evidence of alien visitation nonsense is truly vast, and also half-vast (say that latter quickly). I assume that most serious rock art researchers really have not looked at the quantity of books and web sites devoted to this, and don't. If you are any sort of real scholar or serious researcher what you find will only depress you. The other examples I am illustrating come from a 2014 discovery in Chhattisgarh, India.
Supposed space alien
pictograph, Charama,
Chhattisgarh, India.
timesofindia.org,
Public Domain.

This was taken seriously enough that a conference was convened to examine the so-called evidence. "A couple of years ago, several influential scientists from across the globe, including Prime Minister Narenda Modi, attended a presentation at the Indian Science Congress where ancient flying "spaceships" in the Solar System were discussed. It was a historical event as nothing of the sort has ever occurred in the history of the Congress ever before. And every year, this subject receives more and more recognition and debate." (Stephani 2017)

Supposed space aliens
pictograph, Charama,
Chhattisgarh, India.
timesofindia.org,
Public Domain.

This subject is a pictograph site at Charama, Chhattisgarh, India. "Chhattisgarh state department of archaeology and culture plans to seek help from NASA and ISRO for research on 10,000-year-old rock paintings depicting aliens and UFOs in Charama region in Kanker district in tribal Bastar region. According to archaeologist JR Bhagat, these paintings have depicted aliens like those shown in Hollywood and Bollywood flicks. Located about 130km from Raipur, the caves come under village Chandeli and Gotitola." (Drolial 2014)

Unfortunately, this is only one example out of very many. So this year the prestigious 2018 C.R.A.P. Award is given to any and all of the hundreds of books and websites devoted to convincing people that there is proof of outer space alien visitation to be found in rock art - especially "Ancient Aliens". This is for all of you. Keep it up people and you will convince the aliens that there really is no intelligent life on this planet.

HONORABLE MENTION: This year I am also awarding my first Honorable Mention in the C.R.A.P. Awards to Marietta Eaton, Monument Manager of Canyons of the Ancients National Monument, for her lying e-mail to me on September 19, 2018, claiming that here really was not much rock art to see in Canyons of the Ancients (See my editorial response from October 1, 2018). Marietta, your own staff confirmed to me that there are thousands of examples of rock art in your monument so I am awarding you the very first Honorable Mention C.R.A.P. Award. Congatulations!


NOTE: Some images in this posting were retrieved from the Internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the originals at the sites listed below.

REFERENCES:

Drolial, Rashmi
2014 10,000-Year-Old Rock Paintings Depicting Aliens and UFOs Found in Chhhattisgarh, July 15, 2014, The Times of India, https://timesofindia.indiatimes.com/india/10000-year-old-rock-paintings-depicting-aliens-and-UFOs-found-in-Chhattisgarh/articleshow/38435091.cms

Stephani
2017 Incredible10,000-Year-Old Rock Paintings Depict Extraterrestrial Visitors, February 13, 2017, https://www.disclose.tv/incredible-10000-year-old-rock-paintings-depict-extraterrestrial-visitors-313374

Saturday, December 30, 2017

2017 C.R.A.P. AWARD GOES TO PRESIDENT DONALD J. TRUMP:

On December 4, 2017, President Trump signed Executive Orders reducing Bear's Ears National Monument in size as well as reducing Grand Staircase-Escalante in size, both in Utah. In his speech he lied that his actions were taken "to protect the land" and "according to the wishes of the Native American tribes."


Bear's Ears rock art,
Dept. of Interior,
Public domain.

I was hoping that this year I would be able to go on to another subject, but President Trump made that impossible, so, for his Executive Order which removes protection from thousands of archaeological sites and rock art panels I am awarding President Donald J. Trump the coveted 2017 CRAP (Certifiable Rock Art Prevarication) award.


Map of Bear's Ears reduction,
Stephanie Smith, Grand
Canyon Trust. Public domain.

Here is how he wants to "protect the land." This map, by Stephanie Smith of the Grand Canyon Trust shows the proposed reduction in area for Bear's Ears. It is a reduction of 85% "to protect the land." Grand Staircase-Escalante is to be reduced by half.


Map of Grand Staircase-Escalante
coal resources, Stephanie Smith,
Grand Canyon Trust. Public domain.

The second map, also by Stephanie Smith of the Grand Canyon Trust illustrates the reason for this action. It illustrates the coal resources of the Escalante-Grand Staircase National Monument that Trump's reduction in are will free up for strip mining. Just imagine what that will do to these beautiful lands, to say nothing about what burning all that coal will add to climate change.


Bear's Ears rock art, Salt
Lake City Tribune,
public domain.

For these reasons I am disgusted to be able to award President Donald J. Trump the 2017 CRAP award from https://rockartblog.blogspot.com - congratulations.

NOTE: Images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. 

REFERENCES:

Salt Lake City Tribune.

U.S. Dept. of the Interior.

www.grandcanyontrust.org



Saturday, December 31, 2016

2016 C.R.A.P. AWARD GOES TO UTAH SENATORS ORRIN HATCH AND MIKE LEE, AND CONGRESSMAN JASON CHAFFETZ:

It is once again time for RockArtBlog to award the coveted annual C.R.A.P. (Certifiable Rock Art Prevarication) award for what is one of the year's biggest rock art related prevarications. This year's 2016 award goes to Utah senators Orrin Hatch and Mike Lee for their legislative attempt to block the creation of Bear's Ears National Monument in southeastern Utah, to protect uniquely beautiful lands as well as amazing cultural resources including a large quantity of rock art. A late addition to this prestigious pool is Utah congressman Jason Chaffitz. 


Rock art in proposed Bear's
Ears National Monument.
http://img.deseretnews.com

According to Thomas Burr of the Salt Lake Tribune (published on September 15, 2016) "Utah Sens. Orrin Hatch and Mike Lee introduced the legislation Thursday to exempt the state from a law allowing the president to designate new national monuments, but critics dismissed the move as a desperate 'Hail Mary' in trying to halt protection of the Bear's Ears region in southeastern Utah."

"The measure would prohibit the president's use of the 1906 Antiquities Act within Utah, extending a loophole that now covers Wyoming, as part of an effort to keep President Barack Obama or his successors from using the unilateral power to create national monuments."
Rock art in proposed Bear's
Ears National Monument.
Photo: Shanna Lewis, httpwww.cpr.org

Senator Lee stated "New Yorkers would not appreciate it if Utahns came in and told them what they could and couldn't build in Manhattan, and Utahns don't like it when out-of-state special-interest groups tell us how to use our land either. Over 50 years ago, the state of Wyoming was granted protections from Antiquities Act abuse in their state, and all Utahns are asking is for that same protection to be extended to their state. (The 1950s legislation creating an expanded Grand Teton National Park was passed with the significant concession to opponents that the Antiquities Act would not again be used in Wyoming without the consent of Congress.)" (Burr 2016)

Rock art in proposed Bear's
Ears National Monument.
Photo: Tim Peterson, http://d1jrw5jterzxwu.cloudfront.net

Hatch explained his opposition to the monument with the statement "today, we are again faced with the threat of a unilateral designation of another 1.8 million-acre monument in southeast Utah," Hatch said. "Such a designation would far exceed the purpose of the Antiquities Act, which was written specifically to protect special cultural sites and objects limited to the smallest compatible area necessary." (Burr 2016)


Rock art in proposed Bear's
Ears National Monument.
natgeocreative.com, Public Domain

A representative for the pro-designation effort explained that "Senator Lee confuses private land in New York for the public lands in Utah that belong to all Americans," said Jen Ujifusa, legislative director of the Southern Utah Wilderness Alliance. "The Utah delegation had three years to develop a meaningful and reasonable conservation solution with the Public Lands Initiative, but squandered that opportunity by listening only to industry and parochial interests. This last-ditch Hail Mary shows they know the PLI has failed." (Burr 2016)

In a related internet report on Newsmax.com, on December 29, 2016, Karl Nelson, quoted Utah congressman Jason Chaffetz "The midnight move is a slap in the face to the people of Utah." (Nelson 2016)

"Obama said in a statement that the monument will 'protect some of our country's most important cultural treasures, including abundant rock art, archaeological sites, and lands considered sacred by Native American tribes.'" (Nelson 2016) Please note the wording in President Obama's statement above. This might be the first time that the President of the United States has said the words "rock art" in a press conference, a historic occasion!

It seems to me that this opposition is somehow missing the point. The National Monument designation is intended to protect this wonderful place from mining and petroleum production, uncontrolled four-wheel driving and dirt-biking, and pot-hunting and vandalism of cultural remains and rock art. How is protection a bad thing? Hatch, Lee, and Chaffitz, for their support and advocacy of vandalism and destruction, in this case, are awarded the RockArtBlog 2016 C.R.A.P. award. Congratulations gentlemen.

NOTE: The photographs illustrating this story were retrieved from the internet through a search for "Bear's Ears rock art public domain". If any of them were used mistakenly without permission I apologize.

PS: As of December 29, 2017, President Obama has signed the order to make Bear's Ears a National Monument. President-elect Trump and the Republicans in congress are vowing to overturn it after the change of office in January. I may have to enlarge the recipient pool of the C.R.A.P. award to include the whole Republican party.


REFERENCES:

Burr, Thomas,
2016     Hatch,Lee seeking Utah exemption from monument-creating Antiquities Act, WWW.SLTRIB.COM, Sept. 16, 2016.

Nelson, Karl
2016     Chaffetz Slams Obama 'Midnight Land Grab', Newsmax.com.