Showing posts with label Apophenia. Show all posts
Showing posts with label Apophenia. Show all posts

Saturday, March 9, 2019

ARE THESE UTE WOODEN MAPS? - OR APOPHENIA - PAREIDOLIA - MIMETOLITHS - MANUPORTS



Supposed Ute map,
engraved in wood,
with explanation.

Supposed Ute map,
left side,
with explanation


Supposed Ute map,
right side,
with explanation.

I have been writing recently on the phenomenon known as Apophenia - the "human tendency to seek patterns in random information." (Wikipedia) This is manifested in pareidolia (recognizing ponies in the clouds, for instance), and also by fascination with mimetoliths (items that naturally look like something else - mimic them).


Identified as a Map of Stratton
Open Space and Drainage.

Well, it turns out that there are plenty of people who experience that, whose facility for seeing artifacts in natural objects is considerably more sensitive than mine (or they are just a lot better at fooling themselves). I was recently sent a number of photos of pieces of pine branches showing insect boring patterns that the discoverer is certain represent maps created by Ute Indians. He has even been able to identify the area they portray, now a neighborhood in Colorado Springs, Colorado. Now, to me, they represent prime examples of Apophenia/Pareidolia, and even could be classified as Mimetoliths (mimicking actual maps), but the discoverer appears completely convinced by what he has found. Indeed, he apparently agrees that most pieces of wood that can be found with these markings are merely insect tracks, but he believes he can tell a difference and recognize the few examples that he has collected as "the real thing."


Map of Stratton Open Space,
Parks Department, City of
Colorado Springs, CO.

I think of this situation as paralleling the rock art/ogam controversy. I know those marks are not ogam, but I cannot convince the proponents - indeed, I have no way of proving it to them. This is the power of Apophenia, it is psychologically ingrained deeply into our makeup. Once, our ancestors were on the lookout for predators in the underbrush who could be recognized by the shape of a lion's ear through a break in the foliage, the contour of the side of a jaguar's head in a shadow, this is instinctive and was basic to our very survival. Our subconscious does this all the time, it is primal and not under our conscious rational control. Whereas scientific facts are merely new ideas on the surface that we trade between ourselves, nowhere near as powerful in our overall conscious-subconscious makeup.

So, I do not expect to be able to convince the discoverer of what I recognize as the truth - insect chewed wood. That would be merely boring fact. He has the power of belief on his side, and he knows down to his soul that he has made this important, historically significant discovery. He is, of course, wrong, but I almost envy him the strength of his belief. (Although I suspect that with a microscope we could detect the actual bite marks of the larvae that tunneled through the wood.)

This also represents the ideal time to introduce another term sometimes applied in this field - a Manuport. "In archaeology and anthropology, a manuport is a natural object which has been moved from its original context by human agency but otherwise remains unmodified." (Wikipedia) These pieces of tree limb are manuports because they interested their collector enough to pick them up and take them back to his residence. Mimetoliths that are seen to be interesting enough often become Manuports. In this case - you be the judge.

NOTEFor these particular objects I cannot use the term mimetolith (which basically translates as rock that mimics) because they are not rocks. Perhaps we can call them mimetoports to indicate that they are mimics that were collected by a human and transported. 

Also: I am purposely withholding the name of this individual to preserve his privacy. If he wants me to release it he can e-mail me and I will pass it along.

REFERENCE:

https://en.wikipedia.org/wiki/Apophenia

https://en.wikipedia.org/wiki/Manuport

Saturday, March 2, 2019

PAREIDOLIA:



The mountainous face on Mars
in the most favorable light.
Public domain.

One phenomenon that we have to keep in mind when discussing meaning or intention in rock art is pareidolia. "Pareidolia is a psychological phenomenon in which the mind responds to a stimulus, usually an image or a sound, by perceiving a familiar pattern where none exists. Common examples are perceived images of animals, faces, or objects in cloud formations, the Man in the Moon, the Moon rabbit, hidden messages in recorded music played in reverse or at high- or lower-than-normal speeds, and hearing indistinct voices in random noise such as that produced by air conditioners or fans." (Wikipedia)



The so-called face on Mars
under the more normal lighting
conditions. Public domain.



The moon rabbit
(dark areas). Public domain.

One example of pareidolia that recently received considerable attention among fringies was the so-called face on Mars, a rock formation that under certain lighting conditions resembles a human face, but under other lighting conditions can be seen to be just a mountain (of course that did not stop the fringies from adopting it as proof of alien civilization).


"Los toros," The bulls of Altamira,
Spain. Public domain.

I can think of a couple of excellent examples of pareidolia in classic rock art. The first (literally the first discovered) is the bulls of Altamira. Even back in the 1960s in the very small unit on Cave Painting and Paleolithic art in Gardner's Art Through The Ages we were told that the bulls were on the cave ceiling because natural rounded projections from the rock reminded the painter(s) of their shape, and they were painted to fit those contours and shapes.


Spotted horses, Pech-Merle, France.
Note: the horse's head fits shape of
rock wall on the right. Public domain.

The second example of pareidolia in cave painting that comes to mind is the Spotted Horse in Pech-Merle, where the horses head and placement were suggested by the shape of a rock projection on a corner of the cave wall. In both of these instances a form recognized in the shape of the rock suggested the content of the painting - pareidolia.

Robert Bednarik gave a number of examples of pareidolia in rock art in an excellent paper in 2016 (see below). Do yourself a favor and read it. What examples can you think of?

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Bednarik, Robert G.
2016 Rock Art and Pareidolia, Rock Art Research, Vol. 33, No. 2, pp. 167-181.

(https://en.wikipedia.org/wiki/Pareidolia)