Friday, December 31, 2021

ROCK ART OF ANCIENT KYRGYZSTAN, PART 2 – HUNTING WITH EAGLES:


Eagle hunter petroglyph. Cholpon ata, near Issyk-kul lake, Kyrgyzstan.

The former Soviet republic of Kyrgyzstan is possessed of a great deal of rock art, especially beautiful petroglyphs of ibex. Kyrgyzstan has been known as a land of mounted nomads for pretty much all of recorded history. Recently I was conducting an online search for public domain photos of Kyrgyzstan rock art. Among the many ibex petroglyphs that came up was the one above which, at first, I could not identify. It took me a couple of minutes to realize what this is. The other main thing that the Kyrgyz people have been known for is falconry, or more specifically hunting with trained eagles. This is a crude petroglyph of a Kyrgy eagle hunter.


Kyrgy eagle hunter. Internet photograph, public domain.

“The history of the Kyrgyz people and the land now called Kyrgyzstan goes back more than 3,000 years. Although geographically isolated by its mountainous location, it had an important role as part of the historical Silk Road trade route. In between periods of self-government it was ruled by Gokturks, the Uyghur Empire, and the Khitan people, before being conquered by the Mongols in the 13th century; subsequently it regained independence but was invaded by Kalmyks, Manchus and Uzbeks. In 1876 it became part of the Russian Empire, remaining in the USSR as the Kirghiz Soviet Socialist Republic after the Russian Revolution. Following Mikhael Gorbachev’s democratic reforms in the USSR, in 1990 pro-independence candidate Askar Akayev was elected president of the SSR. On 31 August 1991, Kyrgyzstan declared independence from Moscow, and a democratic government  was subsequently established.” (Wikipedia)



Mounted eagle hunter. Internet photograph, public domain.

“Hunting with the golden eagle is an ancient tradition that dates back to the Mongol conquest of Central Asia around the 12th and 13th centuries, when a fine eagle and a good horse cost the same price and both lent prestige to their owner. Although the practice is gradually disappearing in this area, hunting with birds (especially with eagles) is still practiced in certain regions of Kyrgyzstan and Kazakhstan. Westerners tend to think of this as falconry – and although hunting with hawks and falcons does take place, it is looked down upon by those who hunt with eagles as a pastime for children and dilettantes.” (Advantour) Far from originating in the 12th and 13th centuries as stated above, a burial from Subeshi, near Turfan, of a woman eagle hunter (see below) has been dated to mid-1st millennium B.C. (Barber 1999:199)

“For thousands of years, golden eagles have been the favorite raptor to train as a hunting companion across the northern steppes from the Caucasus to China. Eagles are strong predators especially adapted to winter hunting for hare, marmot, wild goat, deer, fox (even lynx, pallas cat, and wolf, although these are unnatural prey and dangerous for the eagles). Eagles have very acute eyesight for spotting prey in snow-covered grasslands and mountains. The eagles weigh up to 12 pounds and have an extremely strong grip with sharp talons. To support the eagle on a rider’s arm, a baldak, a Y-shaped wooden rest, is attached to the saddle. Female eagles, larger, fiercer, and more powerful than males, are preferred as hunting companions by Kazakhs; Kyrgyz eagle hunters train both females and males. Several types of eagles are recognized with different abilities. Fledglings or sub-adult eagles are captured from the nest and trained to hunt. According to tradition, after 5-7 years the eagles are released back to the wild to mate and raise young. Evidence pointing to eagle hunting’s antiquity comes from Scythian and other burial mounds of nomads who roamed the steppes 3,000 years ago and whose artifacts abound in eagle imagery. An ancient Scythian nomad skeleton buried with an eagle was reportedly excavated near Aktobe Gorge, Kazakhstan. Ancient petroglyphs in the Altai region depict eagle hunters and inscribed Chinese stone reliefs show eagles perched on the arms of hunters in tunics, trousers, and boots, identified as northern nomads (1st to 2nd century AD).” (Mayor 2016:3)


Mounted eagle hunter with his horse and dog. Photograph by Andrey Kovelenko, from Stephen Bodio. Near Golpaygan, Isfahan, Northwest Iran.

The second petroglyph shows a mounted hunter with his dog and his eagle. This photograph was brought to my attention by Adrienne Mayor and was found on a website by Stephen Bodio, a writer and traveler. The photograph was taken by Andrey Kovalenko and was located near Golpaygan, Isfahan, in the central part of Iran.


Taigan hunting dog, Kyrgyzstan. Internet photograph, public domain.

Like the other mounted nomadic hunters of that region, a Kyrgy hunter needed a good horse, his trained eagle, and one of the local breed of hunting dogs, the taigan. A man who had all three was thought of as successful, even prosperous.

                         


Female eagle hunter, 1st millenium B.C., from a burial. Subeshi, near Turfan, Tarim Basin, Zinjiang, China. Illustration from Barber, 1999.

A final pair of illustrations shows the mummified body of an Eagle Hunter (Huntress). “From its graves the Urumchi archaeologists pulled several colorfully arrayed bodies. One woman (fig. 10.3) wore a copious woolen skirt striped horizontally in shades of red, yellow, and brown, with a dark felt hat rising high above her to two conical peaks like a twin-steepled church. The pelt used to make her long coat had the turned inward for warmth, and neat leather slippers protected her feet. A gigantic leather mitten encased her left hand, the sort of protection a falcon owner might wear, and she possessed two little pouches, one the shape of a long, narrow chili pepper and the other containing a round-topped comb.” (Barber 1999:198-9) 

Now we not only have rock art illustrating this practice, we have archaeological evidence from a burial from Subeshi, near Turfan, of a woman eagle hunter that has been dated to mid-1st millennium B.C. (Barber 1999:199) Subeshi is a lost city located near Kucha in the Taklamakan Desert in China’s Tarim Basin on the ancient silk road. A long and honorable tradition among the steppe people living in this large region.

NOTE 1: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

NOTE 2: How the MacArthur Foundation has gone on so long without giving Adrienne Mayor one of their “genius” grants is totally inexplicable.

REFERENCES:

Advantour, Hunting with Eagles in Kyrgyzstan, https://www.advantour.com/kyrgyzstan/cultuure/hunting-eagles.htm, accessed 7 November 2021

Barber, Elizabeth Wayland, 1999, The Mummies of Urumchi, W. W. Norton and Company, New York.

Bodio, Stephen, 2013, “New” Petroglyph, 2 January 2013, stephenbodio.com

Mayor, Adrienne, 2016, The Eagle Huntress, Ancient Traditions and New Generations, 1 May 2016, mayor@stanford.edu

Saturday, December 25, 2021

ROCK ART OF ANCIENT KYRGYZSTAN – PART 1:


Petroglyph panel, Kyrgyzstan. Internet photograph, public domain.

The former Soviet republic of Kyrgyzstan is possessed of a great deal of rock art, especially beautiful petroglyphs of ibex. Kyrgyzstan has been known as a land of mounted nomads for pretty much all of recorded history. The people of this region first entered our history under the generic name Scythians. A governmentally approved and published textbook on their history introduces the Kyrgy people this way. “From the eighth to the third century B.C.E. the vast territory of Central Asia was inhabited by numerous nomadic tribes known in ancient Persian cuneiform texts as the Sakas – ‘free men, noble men (warriors).’ They have been known by several names. Ancient writers called them Scythians; in ancient Indian sources they are referred to as the Tur; the Chinese called them the Se People. Individual groups who entered this tribal confederacy had their own names – the term ‘Saka’ was used to refer to all members of this union. Herodotus, ‘the father of history’ wrote about the origins of the Scythians.” (Osmonov and Turdalieva 2016:31)


Ibex petroglyph, Cholpon-Ata, Kyrgyzstan. Internet photograph, public domain.

And Wikipedia gives a short history of them this way. “The history of the Kyrgy people and the land now called Kyrgyzstan goes back more than 3,000 years. Although geographically isolated by its mountainous location, it had an important role as part of the historical Silk Road trade route. In between periods of self-government it was ruled by Gokturks, the Uyghur Empire, and the Khitan people, before being conquered by the Mongols in the 13th century; subsequently it regained independence but was invaded by Kalmyks, Manchus and Uzbeks. In 1876 it became part of the Russian Empire, remaining in the USSR as the Kirghiz Soviet Socialist Republic after the Russian Revolution. Following Mikhael Gorbachev’s democratic reforms in the USSR, in 1990 pro-independence candidate Askar Akayev was elected president of the SSR. On 31 August 1991, Kyrgyzstan declared independence from Moscow, and a democratic government  was subsequently established.” (Wikipedia)

An online web site encouraging tourism in Kyrgyzstan gives this introduction to the rock art. “Petroglyphs – pictures drawn or etched onto stones. These drawings, left for us on high rocks and in deep caves can provide evidence of the way of life and the environment of times gone by when there was no system of writing. Rock drawings appear to have been made in two ancient artistic styles. The first technique was silhouette or shadow, typical of many ancient pictures. Blows were made with a metallic or stone instrument to take out the entire surface of the rock nearly 2 mm deep inside the silhouette. Some pictures were beaten by blunt tools which removed only a thin sunburnt rock layer, and this is typical of later periods. Another technique used tools with sharp edges and frequent blows with these produce a deep line engraved in the rock. It is probably incorrect to think that ancient people only depicted the animals that they hunted. Many scholars think that the rock drawings depict mythological images and that the consciousness of ancient painters was restricted by their knowledge of the surrounding nature and society.” (Kyrgyzstravel)


Ibex petroglyph, Cholpon-Ata, Kyrgyzstan. Internet photograph, public domain.

A statement as simplistic and imprecise as the preceding quote illustrates a considerable lack of knowledge on the subject, yet also indicates enthusiasm and interest in the subject. The fact is that Kyrgyzstan is possessed of a great deal of beautiful rock art, especially the aforementioned images of ibex. Probably a common quarry of Kyrgy hunters.


Ibex. Internet photograph, public domain.

The articles in References (below) list literally dozens of rock art sites in Kyrgyzstan. One of the most highly touted is The Cholpan Ata Petroglyph Museum – “The 42 hectare open air Museum of Petroglyphs, sometimes referred as a Stone Garden, just outside of Cholpan Ata is a collection of rocks covered in ancient drawings moved by glaciers and deposited here thousands of years ago. – It contains a number of prehistoric monumental stone structures (stone circles, tombs, the remains of a boundary stone wall, and stone carvings of human heads known a balbals) and petroglyphs (dating from the 2nd millennium BC up to the 6th century AD). Archaeologists estimate some of these drawings to be up to 4,000 years old, with a large number of petroglyphs from the 8th to 3rd centuries BCE.” (Miner 2018)



        Ibex petroglyphs, Saimalu Tash,           Kyrgyzstan. Internet photographs,                        public domain.

Another prolific petroglyph site is Saimalu Tash – “(meaning ‘embroidered’ or ‘patterned stones’ in Kyrgyz) is a petroglyph site in northern Jalal-Abad Province, south of Kazarman. Over 10,000 carved pictures which are black-and-white rock paingings, have so far been identified, making the site a globally important collection of rock art.” (Miner 2018)

Sites in Kyrgyzstan contain a broad range of rock art images, from zoomorphs and anthropomorphs to abstract designs. In this particular column it has been my intention to primarily focus on the beautiful ibex petroglyphs. 


Kyrgyz horse, 1894. Wikipedia.

Kyrgy hunters depended on their horses, on a highly prized breed of sight-hound dogs known as Taigan, and Golden Eagles. The hunting of ibex would have no doubt been accomplished with their bows and arrows, but smaller game such as foxes, rabbits, marmots, etc., were hunted with the golden eagles. Among the beautiful photographs of ibex petroglyphs that I found was also a petroglyph that I identified as an Eagle Hunter.

More on the Eagle Hunter in part 2 of this column.

NOTE: Images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Miner, Mark E., 2018, Petroglyphs in Kyrgyzstan, 13 September 2018, https://silkroadresearch.blog/, accessed on 14 October 2021.

Kyrgyzstantravel, Petroglyphs - Rock Art, accessed on 7 November 2021, https://www.kyrgyzstantravel.net/culture/petroglyphs.htm, accessed on 14 October 2021.

Osmonov, Oskon, and Cholpon Turdalieva, 2016, A History of Kyrgyzstan, From Stone Age to the Present, school and university textbook, Ministry of Education and Science of the Kyrgyz Republic, Bishkek.

Wikipedia, History of Kyrgyzstan, accessed on 9 November 2021, https://en.wikipedia.org/wiki/History_of_Kyrgyzstan

Sunday, December 12, 2021

MERRY CHRISTMAS 2021

 


Wishing you a very Merry Christmas, a happy New Year's Eve, and all the best in 2021. 

This illustration is used with the permission of Gary Cascio who took the photograph. Check out his beautiful photography at www.rockartsouthwest.com, or contact him at Gary Cascio, design@latenitegrafix.com.

Saturday, December 11, 2021

THE CHOQUEQUILLA INCA HUACA:


Choquequilla huaca from inside the cave. Photograph Greg Willis.

I have previously written about Qenqo in Peru (a three-dimensional carved boulder resembling a landscape with land contours and waterways) speculating as to whether or not it is a map. On August 17, 2013 I published MAPS IN ROCK ART – 3-D CARVED MAPS, and on May 8, 2021 I also mentioned Qenqo in A CARVED SLAB IN FRANCE IS CLAIMED TO BE THE OLDEST MAP IN EUROPE. These columns focused on the carved features resembling a landscape on the carved boulder. This, and similar carved boulders in the Incan empire were called huacas (or wak’as).

         Choquequilla huaca. Internet                    photograph, public domain.

“In the Quechuan languages of South America, a huaca or wak’a is an object that represents something refered, typically a monument of some kind. The term huaca can refer to natural locations, such as immense rocks. Some huacas have been associated with veneration and ritual. The Quechua people traditionally believed every object has a physical presence and two camaquen (spirits), one to create it and another to animate it.

Huacas are commonly located in nearly all regions of Peru outside the deepest parts of the Amazon basin in correlation with the regions populated by the pre-Inca and Inca early civilizations.” (Wikipedia)


         Choquequilla huaca. Internet                    photograph, public domain.

Not all, but many Inca huacas are large boulders or rock outcrops with carving, but not all possess landscape like features (like Qenqo). Even more common than the miniature landscapes are seat-like shelves carved into the rock, and some possess carving that looks like false doorways. One of these is known as Choquequilla Inca Huaca.

Found “within a cave opening near the present-day village of Pachar in the Sacred Valley of Peru” (HeritageDaily) it consists of a huge black granite boulder that is unmodified on the outside, but on the inside facing into the cave it has been intricately carved. The “Sacred Valley of Peru” is the Urubamba Valley North of Cusco. “When observed from the outside, it has a natural appearance, but the interior face suggests an important ceremonial purpose. This is flanked by a wall containing two rows of four double jamb niches, whilst on the opposite side of the cave is a large double jamb window. Researchers have called the site, ‘the cave of Choqequilla, the Golden Moon’, and the ‘Moon Temple of Choqequilla’, suggesting the site has a lunar connection (which is illuminated by moonlight at night), although the exact purpose of the shrine is still speculated.” (HeritageDaily)


         Choquequilla huaca. Internet                    photograph, public domain.

Ethnography, and some old Spanish accounts tell us that huacas are focal points of shrines intended for many purposes. As stated above some have miniature landscapes with waterways apparently intended for rituals. Qenqo is believed to have been associated with the burial of an Inca ruler, Pachakuti Inca Yupanqui, the founder of their empire. Other huacas seem to mirror in their contours the physical shapes of mountains around them. The mountain peaks around Incas were considered to be of great significance.


         Choquequilla huaca. Internet                    photograph, public domain.

Most importantly “the dramatic experience of high and low in the Andes was and is phenomenologically inspired – by which I mean that it is timeless and universal and can still be felt by living beings – and then became socially anchored. In Quechua worldview, the high-low opposition was manifested by male mountains and fecund female valleys.” (Christie 2012:620)

In light of this notice the view from the cave of the Choquequilla huaca, if the carved shelves of the huaca are indeed seats the peaks would provide an impressive backdrop, possibly mirroring the contours of the boulder it is carved into.

NOTE 1: For more detailed information on Inca huacas I recommend the sources listed below, especially the paper by Christie.

NOTE 2: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these you should read the original reports at the sites listed below.

 

REFERENCES:

Christie, Jessica Joyce, 2012, A New Look at Q’enqo as a Model of Inka Visual Representation, Reproduction, and Spatial Structure, Ethnohistory, Vol. 59, No. 3, pp. 597-630.

HeritageDaily, 2021, The Choquequilla Inca Hauca, August 2021, https://www.heritagedaily.com.

Wikipedia, Huacas, https://en.wikipedia.org/wiki/Huaca - accessed 22 September 2021.

Saturday, December 4, 2021

700-YEAR-OLD PETROGLYPHS VANDALIZED NEAR MOAB, UTAH:


"Birthing Rock" site near Moab, Utah. Online photograph, public domain.

Writing for KSL.com, Carter Williams has had the sad duty of describing the vandalism of two petroglyph panels this year near Moab, Utah.


The so-called "birthing panel" near Moab, Utah. Photograph Peter Faris, 3 August 2000.

Birthing Rock Vandalism: I have never been able to see the petroglyph that this site was named for as an instance of giving birth. If anything, it looks to me like a case of medical prolapse, but whatever it is, it is an example of rock art and now this site has been vandalized. “Birthing Rock includes birthing images drawn on the rock by Native American groups at least as far back as the Ancestral Puebloan Culture, a couple of thousand years ago. More petroglyphs were added through the years. Judging from photos, Elizabeth Hora, and archaeologist for the Utah State Historic Preservation Office, said it appeared most of the damage was to petroglyphs left by people from the Fremont Culture. The Fremont in that area stretched from 500 A.D. to about 1300 A.D.” (Williams, April 2021)


Vandalized panel at "Birthing Rock" site near Moab, Utah. Online photograph, public domain.

A party, or parties, unknown wrote “White Power” across a portion of the petroglyph panel. This makes very little sense as Moab, Utah, is a bastion of white power if ever there was one. According to figures from the 2019 Census, white alone (not Hispanic or Latino) population is 73.6%, the Hispanic or Latino proportion of the population is 16.6%, with American Indian and Alaskan Native at 4.9%, and Black or African American coming in at 0.6% (U. S. Census 2019). This strikes me as sort of like praying for rain in the middle of a flood.


Vandalized Mill Creek Canyon site, Moab, Utah. Photograph ksl.com.

Mill Creek Canyon Vandalism: And in another unbelievably stupid act - “Pictures of the vandalism show the unknown vandal or vandals wrote ‘Petroglyphs’ and what appears to be the names ‘Taylor’, ‘Tray’, ‘Wes’ and ‘Travis’ plus the date of Aug. 3.” (Williams 2021)  This destruction was apparently done with a motive of photographing for social media. “The vandalism was discovered by someone visiting Mill Creek Canyon, southeast of Moab, on Aug. 10, according to Rachel Wootton, a public affairs specialist for the Bureau of Land Management. She said the petroglyph is believed to have been drawn by northern San Juan members of the Ancestral Puebloan Culture likely between 350 B.C. and 1300 A.D.” (Williams, August 2021)

 Restorer treating the vandalism at the Mill Creek Canyon site, Moab, Utah. Photograph ksl.com.

Moab has had an official policy of publicizing the locations of rock art for the purpose of attracting tourists. This has made it a popular destination for students of rock art, but apparently it also attracts more than its share of idiots and fringies.

You will notice I have not tried to be politically correct in my descriptions of the perpetrators of this vandalism. These morons need to be called out, arrested, and made examples of. If anyone knows anything about these crimes you should call the Police Department, Moab, Utah.

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

U.S. Census Bureau Quick Facts, Moab, Utah, Population estimates, July 1, 2019, accessed 29 October 2021

Williams, Carter, 2021, 700-year-old petroglyph vandalized in southern Utah, 25 August, 2021, KSL.com

Williams, Carter, 2021, ‘This is not an accident’: $10K reward offered after well-known Moab petroglyph found vandalized, 27 April 2021, KSL.com