Showing posts with label San Rafael Swell. Show all posts
Showing posts with label San Rafael Swell. Show all posts

Saturday, January 17, 2015

METEORITES IN ROCK ART – A POSSIBLE PORTRAYAL:




Head of Sinbad, Emery County, UT.
Photograph Peter Faris, Aug. 1993.

On May 6, 2009, I posted a column titled “WHEN THE STARS FELL” about the November 12-13, 1833, Leonid meteor storm. On January 18, 2013, in a posting entitled METEORITES I speculated on the possibility of portrayals of meteorite observances in rock art. Then, on February 16, 2013, in METEORITES IN ROCK ART – CONTINUED? I expanded that to associate later Navajo Star Ceilings to the November 12-13 meteor storm of 1833. Now I wish to continue that thread with a Barrier Canyon Style panel (BCS) from Utah which appears to show two figures and a group of four meteors streaking through the sky. The panel in question is one of two remarkably well preserved panels located at Sinbad, in Utah. This site is located in the San Rafael Swell, in east central Utah.

Kenneth Castleton, Petroglyphs and Pictographs of
Utah, Volume One: The East and Northeast, 1984,
p. 133, Fig. 3.36.

This BCS rock art is usually dated by experts at from 6,000 to 7,000 years old. The two figures display the traits of classic Barrier Canyon Style (BCS). The left figure is a standard Barrier Canyon Style (BCS) figure with the goggle eyes, indeed, the eyes of this figure are a little more detailed than usual with what appears to be the iris of the eye portrayed as well. It is accompanied by the floating serpent so common the Barrier Canyon Style (BCS) figures on the  side. The figure on the right of the panel is not a standard BCS figure. It wears an ornate headdress and has a large pectoral on its chest. It has a bird flying just over its right shoulder, a group of small birds or insects flying around its headdress, and it holds a BCS standard plumed serpent in its left hand. Additionally, there are a group of symbols between the two figures above their shoulders which may represent birds seen flying from the front or back instead of in profile, and a row of seven small white figures between the two larger figures at approximately waist height.

Finally, to the right of the right hand figure are a group of four circles which are attached a cluster of lines extending out to the right, and looking like nothing more than four round things flying through the air and leaving a trail behind them. These are the figures that I am proposing as meteors.


1833 Meteor storm in White Swan Winter Count, from
Candace S. Greene and Russell Thornton, 2007, The
Year the Stars Fell: Lakota Winter Counts at the
Smithsonian, Smithsonian National Museum.


These shapes show enough similarity to many of the Winter Count portrayals of the 1833 Meteor Storm that I believe we have to consider the possibility that they too represent a group of meteors flying through the sky. They could either represent a dense meteor shower or storm (similar to the 1833 example, although BCS rock art is many thousands of years older), or a large meteor that has broken up into four pieces in the atmosphere. In Fall of 2012 I was lucky enough to observe a large fireball in the sky. As it fell pieces broke off and became smaller points of light on their own. This is known as a bolide and the pictographs at Sinbad could represent an effective attempted portrayal of that phenomenon.

It is also possible that these were meant to represent birds. Between the two figures are a half dozen small circles with lines sticking out on both sides, very like the possible meteors. These resemble birds seen from the front or back so that a wing is seen sticking out on both sides of the round body. These shapes are not included in Castleton's drawing but can be clearly seen in the photograph. We must keep this in mind as a possibility. I suggest that it is more likely however, that these are meant to be other meteors so what we are seeing is a proper meteor storm.

And, of course, not being able to resist the irony in the situation, you have caught me stating that this rock art panel illustrates four Flying Objects that are Unidentified, but I would much rather conclude that they are a meteors or a bolide than UFOs. 

SOURCES:

Castleton, Kenneth B.,
1984    Petroglyphs and Pictographs of Utah, Volume One: The East and Northeast, Utah Museum of Natural History, Salt Lake City, Fig. 3.36, p. 133.

Greene, Candace S. and Russell Thornton
2007    The Year the Stars Fell: Lakota Winter Counts at the Smithsonian,  Smithsonian National Museum.

Saturday, November 8, 2014

ROCK ALIGNMENTS IN THE SAN RAFAEL SWELL, UTAH:


The lower loop of the large, 450' rock figure.
Photograph courtesy of Jonathan Bailey.

Have you ever wondered what, in our fascination with looking at rock art on the cliff faces, we might be missing under our feet? Well, it appears that in some places we might be missing quite a lot. An article by photographer Jonathan Bailey, printed in the Fall, 2014, issue of the quarterly newsletter of the Colorado Archaeological Society, The Surveyor, (p. 23-24), discusses and illustrates some geoglyphs or rock alignments that he has photographed in the San Rafael Swell in Utah, an area notable for wonderful rock art.


Anthropomorphic rock alignment resembling
Barrier Canyon Style figures. Photograph
courtesy of Jonathan Bailey.

In his article in The Surveyor Jonathan Bailey described the largest of these rock alignments: “This layer is carpeted with hundreds of thousands of discarded chippings, the remnants of prolific prehistoric tool makers huddling around one of the only reliable water sources: a perennial spring that collects into an impression in stone, a veritable storage tank that provided water for hundreds of people separated by thousands of years.
At the sandstone's apex, a colossal geoglyph commands recognition. The four hundred and fifty-foot convex form slithers along its horizons, placing its head near a natural sandstone pathway to the south-west. The 'head' is composed of two large bulbous knobs and a single line-like neck. Its form and shape are not distinguishable even from the air and appears to represent an entoptic phenomenon, relating to a visual experience within the eye or brain.
It is not the only geoglyph within the San Rafael Swell. I have been researching these earth structures for some time, photographically documenting accompanying artifacts, correlating cultural ties, and identifying similarities in the space, context, and structure. It is one of ten geoglyphs I have photographed within the San Rafael Swell but incomparably larger than the others.”


An example of a "simple curvilinear form including
parallel lines, circles, and half circles commonly found
in batches near Barrier Canyon Style images."
Photograph courtesy of Jonathan Bailey. 

Bailey also stated that the rock alignments “are located within a half mile of typical Barrier Canyon Style images containing ghostly, elongated anthropomorphic figures with circular eye sockets and other diagnostic elements” possibly suggesting a relationship between the geoglyphs and the people who created the Barrier Canyon Style pictographs.


Another example of "simple curvilinear forms including
parallel lines, circles, and half circles commonly found
in batches near Barrier Canyon Style images."
Photograph courtesy of Jonathan Bailey.

As Bailey put it “These geoglyphs are isolates in a profusion of Barrier Canyon Style artworks or maybe they are just the surviving archetypes of a traditional medium.” I urge you to check out Jonathan’s photography at his website listed below, and also take a look at The Surveyor, quarterly newsletter of the Colorado Archaeological Society, edited by Robert Dundas.

REFERENCES:
Bailey, Jonathan
 2014   The Surveyor, Fall issue, Vol. 12, number 4, p. 23-24, edited by Robert Dundas.