Saturday, May 16, 2026

NEANDERTHAL FINGER FLUTINGS, EUROPE’S OLDEST INTENTIONAL MARKS?

La Roche-Cotard manor house, France. Internet image, public domain.

In the ever proceeding scramble to identify the earliest, or oldest, rock art, we have another claim, this time from Europe. In the category of finger marks may I have the envelope please? And our winner is - - finger fluting on the cave walls of La Roche-Cotard left there by Neanderthals.

La Roche-Cotard finger fluting. Image from sci.news.

“The oldest known engravings in Europe, discovered in a French cave sealed up for tens of thousands of years, likely weren’t crafted by modern humans but rather Neanderthals, a new study finds. Within the cave of La Roche-Cotard 150 miles (240 kilometers) southwest of Paris, the researchers analyzed a series of non-figurative markings thought to be made by ancient human fingers, according to a study published – in the journal PLOS One. The cave had been sealed up by sediments until the late 19th century. Modern excavations at the site have yielded numerous stone tools whose style is associated with the Neanderthals, suggesting that they created the art.” (Killgrove 2023) In addition to the style of stone tools the investigators used hard dating to infer the age of the marks.

The finger marks themselves were not dated, but optical stimulated luminescence dating told the investigators when the cave became inaccessible due to sedimentation. “OSL dating indicates that the sediment deposition closed the cave > 51 ka (95% confidence) ago, or at 57 ± 3 ka (68% confidence interval). This age makes access to the cave interior by anatomically modern humans (AMH) highly unlikely, as we believe that evidence for their arrival in Western Europe prior to 45 ka - is not yet demonstrated. The non-figurative engraved marks at La Roche-Cotard are necessarily older than 57 ± 3 ka, and can be, therefore, confidently stated to be of Neanderthal origin.” (Marquet, Jean-Claude et al., 2023) This adds even more proof of the cognitive sophistication of our hominin relatives.

La Roche-Cotard finger fluting. Image from sci.news.

While the term ‘graphic productions’ may be a little overly optimistic for the collections of markings left on the cave wall, they marks were made intentionally and apparently by hominins, not cave bears or other fauna.“The graphic productions identified on the walls of La Roche-Cotard demonstrate a deliberate creative process visible in the spatial arrangement of the engraved marks on the cave wall. This is perhaps one of the most remarkable aspects evidenced by the creative ensemble at La Roche-Cotard. As discussed above, there is little graphic evidence associated with Neanderthals, and that is mainly on mobile objects (pebbles, slabs, bones…), rather than walls. In contrast, the walls of La Roche-Cotard testify to something different: the frequent repetition of thoughtful gestures, organized in space both on the wall surfaces and with respect to the cave as a whole.” (Marquet, Jean-Claude et al., 2023) I cannot go quite as far as Marquet’s last sentence in describing the marks, but I applaud his enthusiasm.

La Roche-Cotard finger fluting. Image from sci.news.

Now, of course, we have to address the question of whether finger-fluting is art and deserves to be lumped in with rock art. In the case of RockArtBlog I say yes. It is intentional modification to the cave wall in the same way that a magnificent painted animal on a cave wall is and that is the definition I am using.


NOTE: Some images in this column were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.


REFERENCES:

Killgrove, Kristina, 2023, Neanderthals created Europe’s oldest ‘intentional’ engravings up to 75,000 years ago, study suggests, 21 June 2023, LiveScience.com. Accessed online 10 September 2025.

Marquet, Jean-Claude et al., 2023, The earliest unambiguous Neanderthal engravings on cave walls: La Roche-Cotard, Loire Valley, France, 21 June 2023, PLOS One, https://doi.org/10.1371/journal.pone.0286568. Accessed online 8 September 2025.

 

 

Saturday, May 9, 2026

ANOTHER CLAIM OF PALEOLITHIC WRITING:

Pictographic tablet featuring an account of 33 measures of oil, from Godin Tepe, Iran (Courtesy Dr. T. Cuyler Young, Royal Ontario Museum, Toronto).

A recent paper by Christian Bentz and Ewa Dutkiewicz of the Saarland University in Saarbruken, Germany investigated deeply the human applied marks on Paleolithic carved bone and stone to attempt to gain deeper understanding toward their possible significance. “First, our analyses illustrate that these sign sequences are clearly distinguishable from modern day writing. Second, however, their statistical properties are comparable to sign sequences on the earliest protocuneiform tablets. Third, Paleolithic signs were systematically applied to yield higher information density on certain types of objects, e.g. ivory figurines compared to tools.” (Bentz and Dutkiewicz 2026:1) We need to carefully distinguish between what these authors claim and what the headline editors of reports on it have stated. Bentz and Dutkiewicz have not claimed that these marks constitute a form of writing. “However, they prove that the first hunter-gatherers arriving in Europe already applied sign sequences of comparable complexity in a deliberate, systematic, and conventional manner—several ten thousand years before the advent of genuine writing.” (Bentz and Dutkiewicz 2026:1) News outlets and others who have referred to their paper have, unfortunately, tended to use the word ‘writing’ in their descriptions.

To set the scene - “At the beginning of the Upper Paleolithic around 45,000 calibrated years before present (cal BP), modern humans arrived in Eastern and Central Europe. On their journey they encountered their distant relatives—Neanderthals. In this time of migrations and population turn-overs, modern humans produced a panoply of so-called mobile objects, such as tools and figurines made of ivory, bone, or antler. These are present right from the earliest period of the Upper Paleolithic, the so-called Aurignacian technocomplex. Especially the Dordogne region in southwestern France, the cave systems of the Swabian Jura in southwestern Germany, and a cluster of sites in Belgium have yielded hundreds of objects adorned with sequences of geometric signs.” (Bentz and Dutkiewicz 2026:1) Many explanations for these signs on the ivory, bone and antler carvings have been proposed. People have tried to make them out to be complicated mathematical or calendrical records. Many of us have suspected that some of them represent tallies.

Pendant, 41.5 kbp, Stajnia Cave, Poland. Image from Sci Rep 11, 22078, 2021.

A press release from Saarland University, where Bentz and Dutkiewicz are both employed states that “More than 40,000 years ago Ice Age humans were carving repeated patterns of dots, lines, and crosses into tools and small ivory figurines. A new computational study of more than 3,000 of these Paleolithic signs reveals that they were not random decorations but structured sequences with measurable  complexity. Surprisingly, their information density rivals that of proto-cuneiform, the earliest known writing system that emerged around 3,000 BCE.” (Saarland University) This part depended on the statistical analysis that goes way beyond my ability, and sometimes past believability.

“the people of the Swabian Aurignacian were among the first modern humans to settle in Central Europe. They inhabited the caves of the Lone and Ach Valleys around 43,000 to 34,000 calibrated years ago. They have left behind a panoply of tools and mobile artwork—testimony to their technical skills, and their rich culture. This includes a collection of several dozen ivory figurines, representing animals occurring in the environment at the time, as well as mystical figures of an imaginary world forever lost to us. A subset of these mobile artifacts carry sequences composed of overall more than 3000 signs intentionally carved into their surfaces.” (Bentz and Dutkiewicz 2026:7)

“Our analyses show that these sequences are clearly statistically distinct from those generated with modern day writing systems to represent spoken languages. However, they have a very similar “statistical fingerprint” as the earliest numeric and numeroideographic protocuneiform tablets stemming from the Uruk V period of 3500 to 3350 BC. Moreover, the Aurignacian sequences were not indiscriminately applied to different objects, rather, ivory figurines carry the sequences of highest information density—independent of material constraints such as volume and preservation.” (Bentz and Dutkiewicz 2026:7)

“The hunter-gatherers of the Swabian Aurignacian have hence developed a sign system with some incipient design features also found in writing, that is, an inventory of different sign types and their linear arrangement, but lacking other design features, e.g. productive combinatoriality of different sign types as well as the rebus principle. It remains hard—or impossible—to prove that Aurignacian sign systems served the same numero-ideographic functions as protocuneiform. Moreover, there is another stark contrast between them: Protocuneiform developed into a full-blown writing system representing the Sumerian language within the subsequent 1,000 y. The sign sequences of the Swabian Aurignacian, on the other hand, were stable in terms of information density—for 10,000 y—and then disappear.” (Bentz and Dutkiewicz 2026:7) But, what sort of information were they recording. One possibility is that they were recording details of the animals that were so important to their lives.

Marked clay envelope with tokens it contained. Image from Musee du Louvre.

This seems to be very much a descendant of the seminal 1978 article in Scientific American by Denise Schmandt-Besserat. Her breakthrough identified the beginnings of Mesopotamian hieroglyphs as being marks on the clay seals of packages and clay envelopes indicating their contents. “The earliest examples of writing in Mesopotamia may not, as many have assumed, the result of pure invention. Instead they appear to be a novel application late in the fourth millennium B.C. of a recording system that was indigenous to western Asia from early Neolithic times onward. In this view the appearance of writing in Mesopotamia represents a logical step in the evolution of a system of record keeping that originated some 11,000 years ago.” (Schmandt-Besserat 1978:59) One of the pieces of evidence presented by Bentz and Dutkiewiecz of a piece of clay with some indentations in it.

 

Ach Valley tusk fragment found in Geissenklösterle Cave, Germany. Image from www.astronomytrek.com.

One of the other examples covered in Bentz and Dutkiewiecz is a car ved piece of mammoth ivory called the Ache Tusk. Also known as the so-called ‘Adorant’ it was recovered from Geissenklosterle Cave. “Geissenklosterle is an archaeological site of significance for the central European Upper Paleolithic, located near the town of Blaubeuren in the Swabian Jura in Baden-Wurttemberg, southern Germany. First explored in 1963, the cave contains traces of early prehistoric art from between 43,000 and 30,000 years ago, including some of the oldest known musical instruments and several animal figurines.” (Wikipedia) One side of this artifact has a carved, seemingly anthropomorphic, figure, and the other side has a large number of dots. This has been proposed in the past to be a calendrical inscription.

Carved animal, Geissenklösterle Cave, Germany. Internet image, public domain.

Many of the carved animals from Geissenklosterle Cave are engraved with patterns of carved diamonds, Xs or Vs. These diamonds, Xs and Vs carved on ivory figurines might well represent hair. Their locations are in the same places that long hair would be found on the animals, as in the lion’s mane, the body of the wooly mammoth and the hairy line down the croup of the horse. This usage would be recording information and thus is totally compatible with the premise of Bentz and Dutkiewicz. Details of winter vs. summer pelage might be important to teaching hunting skills.

Carved ivory mammoth, Vogelherd Cave, Germany. Internet image, public domain.

Wooly mammoth. Internet image, public domain.

Recovered from Vogelherd Cave are carved horses, lions, and unknown animals dating back to ca. 40k years BCE. Anotheer example is a carved ivory mammoth from Vogelherd Cave located in the eastern Swabian Jura of southwestern Germany. Patterns of Xs and diamonds range around its body possibly represented the hair of a wooly mammoth.

Carved ivory horse, Vogelherd Cave, Germany. Image from Donsmaps.com.

Wild horse in winter pelage. Image from Wikipedia.

All of this is to bring me to my point that the press reports are unfair to Bentz and Dutkiewicz. Every article headline that used the word ‘writing’ led readers to unfound assumptions. Their primary claim was that the marks may have represented data and that is totally true, they do. The data just isn’t written. X marks representing hair on an animal is a record of data, a record of where the animals heavy winter pelage might be found for example. Dots of related marks may represent tallies. While Schmandt-Besserat came up with these concepts first, and somewhat deeper and more insightful analysis, their paper is a reasonable contribution to the literature. I have only one other criticism, they did not cite Schmandt-Besserat in their paper or list her in their references, but this was probably just an oversight.

NOTE: Some images in this column were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Bentz, Christian and Ewa Dutkiewicz, 2026, Humans 40,000 y ago developed a system of conventional signs, 14 January 2026, PNAS, Vol. 123, No. 9, https://doi.org/10/1073/pnas.2520385123. Accessed 4 February 2026.

Saarland University, 40,000-year-old signs show humans were recording information long before writing, Science Daily, 25 February 2026. www.sciencedaily.com/releases/2026/02/2600225001301.htm. Accessed online 4 February 2025.

Wikipedia, Geissenklosterle, https://en.wikipedia.org/wiki/Geissenklosterle. Accessed 10 April 2026.

Saturday, May 2, 2026

DECEBALUS AT THE IRON GATES OF THE DANUBE – THE MOUNT RUSHMORE OF ROMANIA:

Decebalus carving along the Danube River, Romania. Internet image, public domain.

Above the bank of the Danube River at the border of Romania and Serbia, on a large rock outcrop known as the Iron Gates of the Danube, is the carving of a gigantic face. This, the Romanian equivalent of our Mount Rushmore, is a portrait of Decebalus, king of Dacia and was produced from 1992 to 2001 to honor him.

Decebalus carving along the Danube River, Romania. Internet image, public domain.

Decebalus carving along the Danube River, Romania. Internet image, public domain.

“Decebalus was the last Dacian king ruling from 87 to 106 CE. He is known for fighting three wars, with varying success, against the Roman Empire. He defeated a Roman invasion in the reign of Domitian, securing a period of independence during which Decebalus consolidated his rule.” (Wikipedia – Decebalus) The conflict between Dacia and Rome was historic because of Dacia’s successful resistance.

Trajan's column celebrating the conquest of Dacia, Rome, Italy. Internet image, public domain.

Rome could not countenance successful resistance like this. It might inspire others as well to resist Roman domination. “When Trajan came to power, his armies invaded Dacia to weaken its threat to the Roman border territories. Decebalus was defeated in 102 AD. He remained in power as a client king, but continued to assert his independence, leading to a final and overwhelming Roman invasion north of the Danube in 105 AD. Trajan reduced the Dacian capital to ruins in 106 AD, absorbing some of Dacia into the Empire. Decebalus died by suicide by reportedly cutting his own throat to avoid capture.” (Wikipedia – Decebalus) The famous Trajan’s Column in Rome (106 – 113 CE) is decorated with scenes from the conquest of Dacia.

Romania was ruled by a communist government headed by Nicolae Ceausecu from 1965 to 1989. After the fall of this government Romania became a democracy with the election of Ion Iliescu as its first president in 1990. (Wikipedia - Romania) The carving of the face of Decebalus was commissioned by a private businessman to show his pride and patriotism. "The world's largest rock sculpture on a river bank was commissioned by Romanian Businessman  Iosif Constantin Drăgan and it took 10 years from 1992 to 2001, for twelve sculptors to finish it." (World Record Academy 2019) While it went somewhat faster than the sculptures on Mount Rushmore, the stories are somewhat similar.

“According to Drăgan's website, the businessman purchased the rock in 1992, after which the Italian sculptor Mario Galeotti assessed the location and made an initial model. The first six years involved dynamiting the rock into the basic shape, and the remaining four years were devoted to completing the detail.” (World Record Academy 2019) This project of national pride and patriotism certainly shows that the age of large projects is not dead.

NOTE: Some images in this column were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.


REFERENCES:

Wikipedia, Decebalus, https://en.wikipedia.org/wiki/Decebalus. Accessed online 16 February 2026.

Wikipedia, Rock sculpture of Decebalus, https://en.wikipedia.org/wiki/Rock_sculpture_of_Decebalus. Accessed online 16 February 2026.

 

Wikipedia, Romania, https://en.wikipedia.org/wiki/Romania. Accessed online 1 April 2026.

World Record Academy, 2019, Largest rock sculpture on a river bank: The rock sculpture of Decebalus, 27 August 2019, https://worldrecordacademy.org. Accessed online 26 February 2026.