Showing posts with label mistakes. Show all posts
Showing posts with label mistakes. Show all posts

Saturday, February 21, 2015

WHO MADE IT – ROCK ART BY BEGINNERS:


Westwater Creek, Grand County, Utah.
Photograph Peter Faris, October 8, 2001.

In considering who made the rock art we tend to avoid one inconvenient truth. No matter how beautiful some of our favorite panels are the artist who created them had to start somewhere. Nobody can accomplish a high quality work of art without considerable practice and experience. Back in my early days of art teaching we used to say that a student must make a requisite number of mistakes before they can count on getting it right. As students of rock art I think we all too often ascribe poorly done images to someone rushing, not taking the required time to get it right, instead of admitting that many images were done very poorly because of inexperience, and perhaps youth.

On  February 15, 2015 , I addressed one aspect of this question in a posting entitled A Beginner's Mistake which discussed a petroglyph on McConkie Ranch near Vernal, Utah, which showed drastic changes in scale from top to bottom based on an inexperienced artist's overlooking of the problem of fitting the scale of his image to the size of the available surface (originally posted on June 30, 2013)


Westwater Creek, Grand County, Utah.
Photograph Peter Faris, October 8, 2001.

The illustrations above, from upper Westwater Creek, in eastern Utah, show some examples of imagery that may have been produced by inexperienced artists. The white equestrian figures in the illustration at top were created by a Ute artist that I assume was quite young, or inexperienced, or both. Equally, the horsemen in the grouping in the second illustration are so crudely done that we may be justified in assuming that their creator was just learning the trade.

Guthrie, in The Nature of Paleolithic Art (2005), presented many examples of Paleolithic art from the caves of Europe that he identified as beginner’s mistakes, and while he may be right or wrong on specific examples he certainly had a great point. Nobody gets to start at the top; you start at the bottom, make your mistakes, and work your way up.

Paleolithic art, perhaps drawn by inexperienced
artists. Guthrie, R. Dale Guthrie, 2005,
The Nature of Paleolithic Art, p. 8.

“Paleolithic art contains the work of many inexperienced artists. Throughout this book I’ll show you quite a few works by artists who are developing their drawing facility. Such works are usually bypassed in popular books on this subject. And they are not easily integrated into most theories explaining Paleolithic art.” (Guthrie 2005:8) This is self-selection bias, they are overlooked and so our whole picture of ancient art is skewed toward what we see as a high level of quality and professionalism.


Paleolithic art, perhaps drawn by inexperienced
artists. Guthrie, R. Dale Guthrie, 2005,
The Nature of Paleolithic Art, p. 12.

“Rather scribbly works by inexperienced Paleolithic drawers who did a lot of redrawing. A, Ibex, Espelugues, Fr. B-C, Horses, Lascaux, Fr. D, Wild cattle or aurochs, Limeuil, Fr. E, A mix of images from Les Combarelles, Fr. Horses in B and C are speared; the one in C is penetrated by a spear in the gut and bleeding profusely (this portrays a botched killing job, as a spear-hunter must hit the thorax for a clean kill).” (Guthrie 2005:12)

As I said above, while Guthrie may be right or wrong on any specific example I believe that he has put his finger on a serious oversight that still affects rock art studies. Instead of looking at what we can learn from all images (including the crudest or least aesthetic), we ignore some to focus on the best and most beautiful. This adds a measure of self-selection bias to our supposedly objective investigations. In the end we may have a one-sided or biased viewpoint on all rock art because of this.


REFERENCE: 

Guthrie, R. Dale
2005    The Nature of Paleolithic Art, University of Chicago Press, Chicago.

Sunday, February 15, 2015

A BEGINNER’S MISTAKE – BIGFOOT MAN AT MCCONKIE RANCH:


http://adventr.co/201103/dry-fork-mcconkie-ranch.

Among the marvelous Fremont culture rock art at McConkie Ranch outside Vernal, Utah is the figure known as Bigfoot Man. Done in what Polly Schaafsma called the Classic Fremont Style this figure presents us with an example of a beginner’s mistake. I started my working career by teaching art at a few colleges and my curriculum responsibilities usually included life or figure drawing. Anyone who has actually taught art will recognize this panel immediately as a common error made by beginning students in figure drawing. What it represents is someone starting to draw the figure on a scale that is too large for the surface. Depending upon where the student started the head may be too big for the rest of the body, or some other portion may be seen as outsized. Then they recognize that they have to change the scale to fit the rest of the figure onto the surface. In the case of Bigfoot Man the artist ambitiously began with a pair of large feet and quickly realized that he had to reduce the scale of the rest of the figure to fit onto the chosen rock face.

Some other points to note in this panel; the figure has been given knobby knees which I interpret as an attempt to realistically portray the patella, or knee-cap, and he is shown with six fingers on his hand (polydactylism again). Finally, notice that not only is this panel pecked, but paint has then been added as well, particularly in his headdress. It is an example of mixed-media. Many of the students in my former classes would actually have been happy to have done so well in their initial attempts. This figure is portrayed with details of clothing and headdress as well as weapons. He has a spear or something on his back projecting up above his right shoulder, and he holds a club or axe in his left hand.


Funny looking - yes? This is, however, diagnostic of a situation in which the creation of rock art was actually being taught to someone, and probably critiqued by the teacher. In our culture we call that an art school and it suggests a high degree of sophistication in the Fremont culture as well as providing clues as to how their rock art was produced.

NOTE: This material had originally been posted a couple of years ago but I deleted it in order to update it and add  additional information.