Saturday, June 17, 2017
MORE ON BUFFALO/LION WOMAN:
Chauvet Buffalo Woman,
pinterest.com,
public domain.
Last week I
wrote about the question of the time depth of the Pied Piper myth, the
Paleolithic origins of the Polyphemus myth according to Julien d'Huy, and
whether a woman/buffalo transformation figure in Chauvet Cave in France could
illustrate a Paleolithic version of Buffalo Woman of Native American mythology.
D'Huy's
analysis traced the Polyphemus myth through space as well as time, indicating
that it had reached North America in the Paleolithic period and had evolved
into an explanation of the coming of the buffalo. He even related a Blackfoot
version that involved Trickster Crow hiding a herd of buffalo in a cave, but
two hunters outwitted him and freed the buffalo. (d'Huy 2016) For other peoples
of North America the trickster who hid the buffalo was Coyote. For the Lakota
people, however, the buffalo were brought to the people by Buffalo Woman, or
White Buffalo Maiden.
Deep inside
Chauvet Cave there is a painting that seems to illustrate the transformation of
a buffalo into a woman and vice versa. It could be possible that this
illustrates some variant of the Buffalo Woman myth. Drawn on a downward
projecting stalactite is a frontal view of the lower half of a nude woman's
figure from the pubic triangle on down. "There
are also a couple of good examples of the hybrid figure of a bison-woman, such
as the famous image from Chauvet, in France. This black painting features the
detailed head of a bison on top of the lower half of a female body (she is nude
and her pubic triangle has been emphasized by the artist)." (Von
Pezinger 2016:91)
Whether or
not this composition was meant to actually illustrate some Paleolithic version
of the Buffalo Woman myth, it certainly does a great job of conveying the idea
of animal to human transformation.
Chauvet bison woman,
redrawn from Clotte.
There is
another aspect of this figure that fascinates me and I have been unable to find
any information on from other sources so I will have to tackle this one on my
own. It involves the woman's other leg (her right leg). A careful examination of
the composite figure shows that the woman's right leg originates as the front
leg of a lion drawn facing away from her torso. When I first noticed it I
immediately felt a flicker of recognition. The lion's head and left front leg (the
woman's right leg) reminded me of the of the head and left arm of the Lion-man
of Hohlenstein-Stadel.
Lion Man of Hohlenstein-Stadel,
Public domain.
The
Lion-man of Hohlenstein-Stadel "is a
prehistoric ivory sculpture that was discovered in the Hohlenstein-Stadel, a
German cave in 1939. - The lion-headed figurine is the oldest-known zoomorphic
(animal-shaped) sculpture in the world, and the oldest known uncontested
example of figurative art. It has been determined to be between 35,000 and
40,000 years old by carbon dating of material from the layer in which it was
found, and is thus associated with the archaeological Aurignacian culture. It
was carved out of wooly mammoth ivory." (Wikipedia)
To my eye
the similarity of the head and bent arm of the carved ivory figure and the head
and bent front leg of the lion figure on the left in the group in Chauvet Cave
is so remarkable as to be highly
evocative. Now I will be the first to admit that I am not at all sure what this
similarity evokes; some Paleolithic myth cycle, a religious belief, or
something I cannot imagine? Can there be any connection? Probably not based
upon ages, the Chauvet Cave art is dated to 30,000 - 32,000 BCE by radiocarbon,
and the Lion-man is 35,000 - 40,000 BCE, quite a discrepancy. However, they are
both considered to be Aurignacian in origin, and similar beliefs and myth
cycles are a possibility.
There are
many instances of beliefs that have lasted essentially unchanged for thousands
of years. Indeed, if I change the term from myth to religious belief we can
point to Christianity and its basic tenets, or Judaism for a longer time frame.
In his book The Cave and the Cathedral,
Amir D. Aczel traces the cult of the bull from the aurochs painted in the
Paleolithic cave art of Europe, through the bull horns and heads so prevalent
in neolithic Catalhoyuk on the Anatolian plain, to the bulls and acrobats in
the Minoan murals of the Palace of Knossos, on Crete. This, if true, would give
that theme a time-depth of perhaps 10,000+ years. So perhaps it is not
completely outlandish to suggest a possible mythological connection between the
"sorcerer" painted in Chauvet, and the Lion-man of
Hohlenstein-Stadel.
There is
one other possibility that should be pointed out, it could be an example of a
visual pun, or a puzzle picture, like the duck's head/rabbit optical illusion.
Perhaps the artist was just having fun? In any case the form of the woman's
figure morphing into a bison and a lion in Chauvet cave is a remarkably
sophisticated piece of work, both in concept, and in design and rendering. Not
only are the painted caves of Europe a testament to the artistic abilities of
our Paleolithic ancestors, they are evidence of their sophisticated thought
processes and beliefs, and, as such, are real treasures of human heritage.
NOTE:
Images used in this column were retrieved from the Internet with a search that
included the phrase Public Domain. If any of these images were not intended to
be public domain I apologize for their use, and will be happy to correct my
error if so informed.
REFERENCES:
Aczel, Amir
D.
2009 The Cave and
the Cathedral: How a Real-Life Indiana Jones and a Renegade Scholar Decoded the
Ancient Art of Man, John Wiley & Sons, Hoboken, New Jersey.
Clottes,
Jean
2001 Chauvet
Cave: The Discovery of the Worlds Oldest Paintings, University of Utah
Press, Salt Lake City.
d'Huy,
Julien
2016 The Evolution of Myths, pages 62-69, Scientific American, vol. 315, No. 6,
Dec. 2016.
Von
Petzinger, Genevieve,
2016 The First
Signs, Unlocking the Mysteries of the World's Oldest Symbols, Atria Books,
New York, London.
Wikipedia
Labels:
Buffalo Woman,
Chauvet,
France,
Germany,
Hohlenstein-Stadel,
Lion-man,
mythology,
pictograph,
rock art
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Great post. I thought the same thing about White Buffalo Woman when I read about the Bison/Lion Woman painting in Chauvet, in "Wild New World" by Dan Flores.
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