Tuesday, November 25, 2014
NORTHERN PLAINS SHIELD BEARING WARRIORS - A BOOK REVIEW:
I cannot speak for everyone else, but Shield Figures have
long been a favorite rock art theme of mine. The many ways they are portrayed,
and visual conventions used, have fascinated me from the beginning.
Additionally, they have a feeling of personal identity lacking in many other
rock art symbols. Especially in instances where a shield design can be
discerned the viewer has the sense that this represents a particular, identifiable
individual. Thus I was particularly thrilled when I received a copy of the new
book Northern Plains Shield Bearing
Warriors by the dynamic duo James D. Keyser and George Poetschat, and
published in 2014 by Oregon Archaeological Society Press, Portland.
The authors state that “the
shield bearing warrior motif is the best known and most widespread in Northern
Plains Ceremonial Tradition rock art. Found throughout the region from north of
Calgary, Alberta to near Denver, Colorado, and from Wyoming’s Green River Basin
to the Black Hills of South Dakota, the motif shows a human whose torso is
almost entirely positioned behind a large circular (or in rare instances,
rectangular) shield.“ (p. 7)
“The shield bearing
warrior motif shows a standing or (less frequently) horseback-riding warrior
holding a shield that obscures most of his torso. Typically the warrior’s head
(and sometimes also his neck) projects above the shield and his legs extend
below it. However, it is not unknown for a shield bearer to lack either a head
or legs - as if the shield were actually
covering more of his person. Many shield bearing warriors also have a weapon;
often projecting out from behind the shield perimeter, usually between the 10
o’clock and 2 o’clock positions. Other warriors extend their arm out beyond the
shield’s margin to hold a weapon.” (p.7)
This remarkable 314 page compendium, with contributions by
Becky Steed, Sue Ann Jansen, Susan Gray, and David Kaiser, discusses the
subject of shield bearing warriors at length, explaining their history, style,
and cultural affiliations, it provides an exhaustive listing of examples from
the Northern Plains, including; Alberta, Colorado, Montana, South Dakota, and
Wyoming. Each listed example is provided with a black and white drawing and
extremely detailed description including: media, site, and features. Appendix
II lists 604 examples of shield bearing warriors from some 157 sites – how is
that for exhaustive? Keyser and Poetschat have provided rock art researchers
with a whole reference library of the subject in one volume. My only
disappointment with the whole thing is that they did not continue their
coverage on further south to include examples in Utah, New Mexico, and the rest
of Colorado. This book is required reading for anyone interested in the rock
art of North America, and the history and art of Native Americans in general.
Keyser, James D., and George Poetschat,
2014 Northern
Plains Shield Bearing Warriors: A Five Century Rock Art Record of Indian
Warfare, Oregon Archaeological Society Press Publication #22, and
Indigenous Cultures Preservation Society Publication #2, Portland.
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