Saturday, November 29, 2014
HOPI CLAN REGISTERS AS A ROCK ART LEXICON FOR THE SOUTHWEST - RABBIT:
The rabbit is found in rock art throughout the American West
and Southwest. It is a well known fact that most Native American cultures saw
the figure of a rabbit on the face of the moon, as on the Mimbres bowl that
shows a rabbit on a crescent moon. Given this, a rabbit in rock art is often assigned
lunar connotations Assuming, however, that a rabbit image always implies the
lunar connotation would be a mistake.
Life and Times and the History andTraditions of His People,
Albert Yava, 1978, University of New Mexico Press,
Albuquerque, page 11.
A wonderful reference into many of southwestern rock art
symbols, previously mentioned, is found in the 1894 Hopi Petition, a document
from Hopi clan chiefs to U.S. government officials in Washington D.C. urging
them to cease the reallocation of Hopi lands into individual holdings, and also
to designate official Hopi reservation boundaries. This document “was signed in clan symbols by 123
principals of kiva societies, clan chiefs, and village chiefs of Walpi, Tewa Village,
Sichomovi, Mishongnovi,Shongopovi,Shipaulovi and Oraibi.” (Yava 1978:167)
In his book Big Falling Snow (1978), Albert Yava illustrated two pages (pages
11 and 14 found between pages 82 and 83) of these signatures with their
interpretations. These identified symbols surely provide a useful lexicon for
rock art imagery in the Southwest.
Rabbit Clan symbol, #87, from 1894 Hopi Petition, page 11.
Rabbit track as symbol for the Rabbit Clan,
#92, from 1894 Hopi Petition, page 11.
One of the images from page 11 of the 1894 Hopi Petition is
the symbol for Rabbit Clan, #87. Another Rabbit Clan symbol is #92 showing
rabbit tracks but conveying the same meaning as a rabbit designation.
Its presence in the Hopi Petition as a clan identification symbol
suggests other possible affiliations as well. Many North American tribes
include the rabbit in their collection of clan symbols. Among the Hopi Masau’u
owned this world and welcomed the Hopis when they climbed into it from below.
Masau’u was also their ‘giver of fire.” The ceremonial portrayal of Masau’u
includes smearing the head with rabbit blood as part of the costume thus
associating the rabbit with Masau’u, creation and even fertility. (Tyler
1964:20)
Utah. Photograph, Don Campbell, 1979.
The rabbit serves roles in Native American mythology as well
and a rabbit image might have been intended as a reference to one of these
stories.
Three Rivers, New Mexico. Photograph
John and Esther Faris, 1988.
Finally, the rabbit was an important food source for
Southwestern peoples who held periodic rabbit drives. A youth’s first kill as a
hunter was often a rabbit and that was then often the occasion for ceremonial
adoption into a male fraternal group, certainly an important occasion and one
worthy of recording. Thus, I submit that the image or theme of rabbit has many
more possible meanings than just the rabbit in the moon.
REFERENCES:
Grant, Campbell
1981 Rock Art of the American Indian,
Outbooks, Golden, Colorado.
Tyler, Hamilton A.
1964 Pueblo Gods and Myths, University of
Oklahoma Press, Norman.
Yava, Albert
1978 Big
Falling Snow: A Tewa-Hopi Indian’s Life and Times and the History and
Traditions of His People, University of New Mexico Press, Albuquerque.
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