Saturday, September 5, 2020

NEWLY DISCOVERED ROCK ART IN IRAN:



New Iranian rock art site is at the top of the hill. Online photo D. Sigari.

This rock art site (PMB001) in north-eastern Iran was discovered by archaeologists in 2015, and recorded in August 2016. Although new to the scientific community, the site had been well known to locals who consider it to be sacred and frequently leave small offerings there. Local worshippers believe that the U-shaped images are the hoofprints of the horse of the prophet Imam Reza. (Sigari et al. 2017:1)

“Pilgrims had for years left offerings by the volcanic stone and had started to build a small temple around it. But it was only recently, in 2015, that archaeologist Mahmoud Toghrae discovered the site and began documenting the rock art.” (Suruque 2017)


Rock art panel and remains of partial shrine wall. Online photo D. Sigari.

No date estimates for the rock art have been published as yet. “There is a lot of debate when it comes to rock art in Iran to know whether we can attribute certain engravings to one period or another. We have a dating problem, because the same figures were represented, at different points in time from the Neolithic to the Iron Age. Probably the PMB001 area was settled at different periods, and the rock art represents all these phases. But without more excavations conducted at the site we can’t say for certain what the chronology is.” (Suruque 2017)


Close-up of panel detail. Online photo d.ibtimes.co.uk.

One possible clue to the age of some of the symbols is represented by three bladed weapons called “axes” by the authors who believe that they represent a type of weapon used in the Chalcolithic (Copper Age) or Bronze Age. They relate these to a nearby site that was occupied during that period. “The location of PMB001 permits sweeping views across the Mashhad Plain, including Tappeh Nadery, which is visible at a distance of 11km. This site is an artificial hill preserving a long-term archaeological sequence, from the Chalcolithic to the Parthian period, testifying to continuous occupation of the region. If subsequent dating of the axes represented at PMB001 points to the Bronze Age, this may indicated some type of link between the two.” (Sigari et al. 2017:2-4)


Tracing of panel. D. Sigari and M. Toghrae.


“The Chalcolithic or Copper Age is the transitional period between the Neolithic and the Bronze Age. It is taken to begin around the mid-5th millennium BC, and ends with the beginning of the Bronze Age proper, in the late 4th to 3rd millennium BC, depending on the region.” (Wikipedia) In any case, the fact that this panel was still believed sacred by locals testifies to its many millennia of relevance to modern inhabitants of the area. Rock art can seemingly remain relevant to different people throughout time.

Note: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me and provide them. For further information on these reports you should read the original reports on the references listed below.

REFERENCES:

Sigari, Dario, Mahmoud Toghrae, and Hassan Basafa

2017  Newly Discovered Rock Art Sites in Balandar, Mashhad Province, North-Eastern Iran, Antiquity, Vol. 91, Issue 357, June 2017.

Suruque, Lea

2017  Iran: Rock Art from Unknown Ancient Civilization Discovered on Sacred Volcanic Stone at Top of Mountain, 30 May 2017, http://www.ibtimes.co.uk

Wikipedia

Copper Age State Societies, https://en.wikipedia.org/wiki/Copper_Age_state_societies


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