Saturday, November 9, 2019

MUSIC IN ROCK ART - DONG SON DRUMS IN INDONESIA:



Figure playing a Dong Son Drum,
Kisar, Indonesia.
Photograph from Live Science.

I have written previously about the topic of music as it relates to rock art. Of course, both music and visual art share many of the same characteristics; creativity, discipline, and philosophy. But most of my previous references have been aimed at the idea of music being played in rock art sites as part of a ritual. As far as rock art portraying musical instruments I have written about a possible musical bow (or mouth bow) at the cave of Les Trois Freres in March 28, 2010, "Music At Rock Art Sites?" and a horn rasp or morache at the cave of Laussel in April 26, 2010, "Music At Rock Art Sites (Continued)". I also presented an example of flute-playing from Mesa Prieta in New Mexico in May 28, 2011, "The Flute-Playing Armadillo". There have also, of course, been numerous references to flute-players among columns on Ancestral Puebloan rock art (see cloud index below).


Dong Son Drum, Indonesia.
Note the sunburst in 
the center of the head.
Photo: Public Domain.


Dong Son Drum, Indonesia.
Note the sunburst in 
the center of the head.
Photo: Live Science

Now, an article in Atlasobscura.com by Natasha Frost presents us with a large number of painted images of Dong Son drums in Indonesia. "A Dong Son drum - - - is a bronze drum fabricated by the Dong Son culture in the Red River Delta of northern Vietnam. The drums were produced from about 600 BCE or earlier until the third century CE - - -. The drums, cast in bronze using the lost-wax canting method are up to a meter in height and weigh up to 100 kilograms (220 lb). Dong Son drums were apparently both musical instruments and cult objects. They are decorated with geometric patterns, scenes of daily life and war, animals and birds, and boats. More than 200 have been found, across an area from eastern Indonesia to Vietnam and parts of Southern China." (Wikipedia) These have been prized possessions and preserved carefully, and were regarded highly enough to become a common subject of rock art, probably by someone leaving a record of his wealth and importance.


                  Dong Son Drum        
               pictographs, Indonesia.
                Note the sunbursts.
            Photograph from Live Science.

These pictographs were discovered in caves on the small Indonesian island of Kisar, off the coast of Timor. "Home to just a few thousand people, it had never been the site of a full archaeological exploration before a recent expedition by researchers from the Australian National University in Canberra, despite being a key site in the historical international spice trade. The island is almost entirely surrounded by ancient coralline limestone terraces, which run parallel to the coastline. Over the centuries, the sea has worn shelters and caves into the terraces. Within these nooks and crannies, archaeologists found 28 galleries replete with amazingly well-preserved rock paintings, done by people dead for millennia." (Frost 2017)


Dog pictographs, Kisar, Indonesia.
Internet Photo, Public Domain

"The paintings themselves are tiny, barely four inches in height, and show dynamic scenes including boats, dogs, horses, and people often holding what look like shields, said Sue O'Connor, the lead archaeologist on the project. 'Other scenes show people playing drums,' she said in a statement, 'perhaps performing ceremonies.' These figures, painted in shades of ocher, burnt umber and russet-red, remain in extraordinary condition, despite being as much as 2,500 years old." (Frost 2017)



Lene Cece Rock Shelter, Photo
from O'Connor et al., Fig. 13, p. 14.

"Dong Son drums have been found on many of the islands of eastern Indonesia including Flores, Roti, Leti and Kei. Interestingly, in the last few years two Dong Son drums have been discovered in the Lautem District, not far from the rock-art sites in Timor-Leste discussed here (Oliveira 2015). Spriggs and Miller (1988) suggested that Dong Son drums may have been carried on exploratory maritime expeditions by elite traders wishing to establish client-patron exchange relationships in the islands, and given to cement alliance." (O'Connor 2017:14) In other words quid-pro-quo - I give you a gift that will enhance your standing and reputation in your community and you give me favorable trading preferences. These islands were an important link in the maritime spice trade so a good trading relationship was definitely the road to prosperity. This is apparently pictured in a boat painting in Lene Cece rock shelter in Timor-Leste. "Although most of the Kisar boat paintings are highly schematized, features of the large boat in Lene Cece shelter in Timor-Leste (Fig. 13) resemble those on the boats on the Dong Son bronze drums in having 'high prows which are vertical or raked back' (Akerman & Dwyer 2000:87). The prow appears to be carved to resemble a cockerel with long tail feathers. The Dong Son boats also feature warriors wearing feather headdresses and carrying weapons or ritual paraphernalia (Kempers 1988). The Lene Cece boat shows small human figures in X-ray within the boat, and up on deck warriors wearing elaborate headdresses. - - - The sun-ray motif - directly above the Lene Cece boat also closely resembles the sun-ray motifs which decorate the tympanums of Dong Son drums." (O'Connor 2017:11)

Although these Dong Son drums are being reported as items of ritual significance, they are also apparently tokens of wealth and importance, the family or individual that owns one would have enhanced status and public position. This suggests that the pictographs represent a record of someone's wealth and importance, public bragging rights - and, they could be played too.

NOTE: Some images in this posting were retrieved from the internet with a search for public domain photographs. If any of these images are not intended to be public domain, I apologize, and will happily provide the picture credits if the owner will contact me with them. For further information on these reports you should read the original reports at the sites listed below.

REFERENCES:

Faris, Peter
2010 Music At Rock Art Sites?, March 28, 2010, https://rockartblog.blogspot.com/search?q=music

2010 Music At Rock Art Sites (Continued), April 26, 2010, https://rockartblog.blogspot.com/search?q=music

2011 The Flute-Playing Armadillo, May 28, 2011, https://rockartblog.blogspot.com/search?q=music

Frost, Natasha
2017 In Indonesian Caves, a Treasure Trove of Forgotten Ancient Paintings, December 15, 2017, https://www.atlasobscura.com/articles/cave-art-indonesia-kisar-found

https://en.wikipedia.org/wiki/Dong_Son_drum

O'Connor, Sue et. al.
2017 Ideology, Ritual Performance and Its Manifestations in the Rock Art of Timor-Leste and Kisar Island, Island Southeast Asia, December 2017, Cambridge Archaeological Journal, Cambridge.

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