Bear paw prints, found in the 1st
canyon north of Dominguez
Canyon, Mesa County, Colordo.
Photograph Peter Faris, June 1980.
8-toed bear paw print,
Dominguez Canyon, Mesa
County, Colorado. Photograph
Peter Faris, 1980.
Back in the 1980s, James D. Keyser pointed out the value of
sources of Plains Biographic Style art such as robe painting and ledger book
art as a lexicon for understanding Plains Biographic Style imagery in rock art.
Since then he has used these insights as the basis for his tremendous
contributions in interpreting so much of the rock art of the northern Great
Plains. Other possible sources of factual comparisons could be name glyphs,
shield symbolism, and horse and tipi painting.
Sieber Canyon, Mesa County, Colorado.
Photograph Peter Faris, 1981.
Green River, Utah. Photograph
Paul and Joy Foster.
Fremont Indian State Park, Utah.
Photograph Peter Faris, 1992.
I have since
suggested that Hopi Clan registers might serve the same role as a valuable
lexicon for many Ancestral Pueblo rock art symbols from the southwest. A
wonderful reference into many of these symbols is found in a 1894 document from
Hopi clan chiefs to U.S. government officials in Washington D.C. urging them to
cease the reallocation of Hopi lands into individual holdings, and also to
designate official Hopi reservation boundaries. This document “was signed in clan symbols by 123
principals of kiva societies, clan chiefs, and village chiefs of Walpi, Tewa
Village, Sichomovi, Mishongnovi, Shongopovi, Shipaulovi and Oraibi.” (Yava
1978:167) These identified symbols surely provide a useful lexicon for rock art
imagery in the Southwest.
Hopi Petition of 1894, Page 9.
Bear Clan Sign, Hopi Petition of
1894, Page 9, No. 70.
Bear Clan Sign, Hopi Petition of
1894, Page 11, No. 84.
Bear Clan Sign, Hopi Petition of
1894, Page 12, No. 95.
Bear Clan Sign, Hopi Petition of
1894, Page 14, No. 122.
Bear paw prints are one common symbol in rock art from the Southwest, and indeed
from the rest of North America as well. Of course, a
Hopi clan register lexicon cannot be imagined to apply to examples from areas
with different cultures, but within the greater Ancestral Pueblo cultural area
we can assume that their beliefs influenced all peoples to some extent.
The examples I have
herein are from the area where the Fremont culture predominated prehistorically
and that Numic peoples inhabited historically, in these examples Ute and Paiute
peoples. It is assumed that some cultural influences and transference occurred
between northern tier Ancestral Pueblo and southern Fremont peoples so perhaps
a case might be made for a Bear clan among various groups of Fremont peoples.
We know that the bear was of great importance to Ute peoples, their annual Bear
Dance being one of their most important annual gatherings.
So I think it reasonable to suggest that a bear paw print
petroglyph or pictograph found within the greater Ancestral Pueblo area of the
southwest might be a clan identification symbol, while other areas would
require knowledge of the mythological and cultural symbolism of the bear to
make an educated guess as to its meaning. Last week I reviewed a book by James Keyser and George Poetschat, Seeking Bear: The Petroglyphs of Lucerne Valley, Wyoming, does an excellent job of addressing Bear symbolism in that area of Southwestern Wyoming. It could (it should) serve as a model for examining meaning in rock art of other areas.
Note: One other remarkable things about bear paw prints is that, unlike most animals, if they are well made you can differentiate the front print from the rear print. The rear print may be associated with locomotion/travel but the front print is the one associated with danger. That is the one the bear rips you with. This suggests that front and rear paw prints might have different meanings when reproduced on the rocks.
REFERENCES:
Keyser, James D. and George Poetschat,
2015 Seeking Bear: The Petroglyphs of Lucerne Valley, Wyoming, Oregon Archaeological Society Press, Portland. www.oregonarchaeological.org.
Yava, Albert
1978 Big
Falling Snow: A Tewa-Hopi Indian’s Life and Times and the History and
Traditions of His People, University of New Mexico Press, Albuquerque.
Thanks. I live in embudo nm and have a large bolder with dozens of petroglyphs. These include the Spanish crosses that symbolize a soldier's life lost in battle. There are also several bear claws. Wondering if these could be markings for native Braves that lost their lives too. Gmevans88@msn.com
ReplyDelete