REFERENCE:
Saturday, July 13, 2013
OGAM? OR RIBSTONES? IN COLORADO:
Back in the late 1980s I took frequent trips down to
southeastern Colorado to accompany my friend Bill McGlone on trips to rock art
sites. Bill lived in La Junta, the gateway to literally thousands of rock art
sites in the Purgatoire (Picketwire Canyon) and elsewhere in that region. As an
amateur epigrapher Bill was fascinated by correlations between so-called
abstract rock art and characters in some Old World scripts, and his first focus
in that interest had been the linear groupings that believers call Ogam.
I was never able to share in the belief that Bill and his
friends held back then that these groupings of lines consisted of Ogam
inscriptions. In order to make any deciphering work at all they had to
postulate a variety of Ogam not used in the Old World, an Ogam that consists of
consonants only, and no vowels. Additionally, in order to explain the presence
of Ogam in southeastern Colorado one has to invoke at least one pre-Columbian
visit by a party of Celts from somewhere in Europe where Ogam writing was used.
As no believable physical evidence of such an expedition has ever been found I was not
able to agree to their arguments for the existence of actual Ogam inscriptions.
Groupings of lines – yes, I saw hundreds along with Bill and his friends. Ogam
– no. On my visits to the area I would usually stay with Bill McGlone and we
would often stay up until late discussing/arguing about epigraphy and
diffusionism. My often stated position in those discussions was that I was not
able to agree that these were actual Ogam inscriptions, but that I did not have
a better explanation so I could not prove that he was in error in this belief.
I did try as many ways as I could come up with to define
these lines as tallies of some sort. I was never able to prove that because I
could not specify what they were counting. Oh, some might come close to enumerating
the days in a lunar cycle, or the moons in a year, but I could never prove any
connection. Vague suspicions do not hold up well in a debate with a person who
deeply believes his position.
Well now that better explanation has finally come along. Dr.
Lawrence L. Loendorf in his book Thunder
and Herds, Rock Art of the High Plains, has drawn attention to the
resemblance of many of these groupings of lines to the so-called ribstones of
the Northern Plains. “Ribstones may vary
in their details but all consist of a long, vertical line or groove along the
length of a boulder that is crossed by shorter grooves, creating a figure that
represents the backbone and ribs of a buffalo.” “Plains groups like the Cree
believed that ribstones embodied the spirit of a bison, which they honored by
leaving offerings and saying prayers at sites where the stones occur.” (2008:214)
Well done Larry, from now on I do have my better answer and
in the event of a repeat of those debates of old I can cite you, and I no longer
have to worry about taking a ribbing (or a stoning) over not having an answer.
REFERENCE:
Loendorf, Lawrence L.
2008 Thunder and Herds, Rock Art
of the High Plains, Left Coast Press, Inc., Walnut Creek, CA.
Labels:
Bill McGlone,
Colorado,
Loendorf,
Ogam,
petroglyphs,
ribstones,
rock art
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I was speaking at a Spirit of Place Conference at Mesa Verde in about 1990. A friend and I went to a non-touristy kiva and settled in. When leaving, I saw what appeared to me to be Ogam writing, which I'd seen in New England, and in books. Single long horizontal lines, with curly hang-downs from it. When I gat back to the conference and mentioned it. A woman put her hand up and said she was the national secretary of Ogam writing. My jaw dropped. Took her to the place, she confirmed and read it, but my memory doesn't hold that any more!
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